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  1. Le petit soldat (transl. The Little Soldier) is a French film written and directed by Jean-Luc Godard in 1960, but its release was delayed until 1963 by censorship. It was the first project on which Godard worked with Anna Karina, who stars alongside Michel Subor, but the third to be released.

  2. The Little Soldier: Directed by Jean-Luc Godard. With Michel Subor, Anna Karina, Henri-Jacques Huet, Paul Beauvais. During the Algerian War, a man and woman from opposing sides fall in love with one another.

  3. A French filmmaker's second feature, Le petit soldat depicts the use of torture in the Algerian War and the love story between a photojournalist and a mysterious woman. The film, banned by French censors for its controversial content, is a classic of the French new wave and a pioneer of cinema as a vehicle for existential inquiry and political argument.

  4. Le Petit Soldat est un film français de Jean-Luc Godard, tourné en 1960, mais qui ne sort que le 25 janvier 1963 en raison d'une interdiction par la censure. Il s'agit du deuxième long métrage de Jean-Luc Godard après À bout de souffle. C'est le premier film de Godard avec Anna Karina.

  5. 3 de ago. de 2017 · LE PETIT SOLDAT. 1963. DURACIÓN: 88 min. Francia. DIRECTOR: Jean-Luc Godard . GUIÓN: Jean-Luc Godard (Novela: Lionel White) . MÚSICA: Maurice Leroux. FOTOGRAFÍA: Raoul Coutard (B&W). ELENCO: Michel Subor, Anna Karina, Henri-Jacques Huet, Paul Beauvais, Laszló Szábó. PRODUCTORA: Société Nouvelle de Cinématographie / Les ...

  6. Le Petit Soldat. Durante la guerra de Argelia por la independencia de Francia, un joven francés que vive en Ginebra, que pertenece a un grupo terrorista de derecha, y una mujer joven que pertenece a un grupo terrorista de izquierda, se encuentran y se enamoran.

  7. A Frenchman in exile in Switzerland, Bruno Forestler is torn between two revolutionary groups and a girl who loves him. He is a hero of the French New Wave, a filmmaker who uses humor and irony to explore the Algerian War and its consequences. Read Roger Ebert's analysis of Godard's second film, made in 1960, and its influence on his own art.