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La Monte Young, dado que fueron compuestas cinco años antes de la fijacióndel término, sin embargo las característi-cas de éstas y su influenciaposterior en autores como Steve Reich y Phillip Glass son suficientescomo para atrevernos a tal nominación. Ahora bien, la concepción que de música tiene La Mon-
27 de abr. de 2017 · Composition 1960 #7La Monte YoungGravado em 11 de junho de 2016, na Sala de Música Sérgio Magnani da Fundação de Educação Artística em Belo Horizonte pelo GE...
The Theatre of Eternal Music (later sometimes called The Dream Syndicate) was an avant-garde musical group formed by La Monte Young in New York City in 1962. The first group (1962–1964) of performers consisted of La Monte Young, Marian Zazeela, Angus MacLise, and Billy Name. From 1964 to 1966, Theatre of Eternal Music consisted of La Monte Young (voice, saxophone), Marian Zazeela (voice ...
3 de dic. de 2021 · Indeed, over the next four decades, Young’s pioneering work went on to inspire everyone from Krautrock adventurers Neu! to shoegaze pioneers My Bloody Valentine. Clearly, La Monte Young’s influence cannot be understated. As Brian Eno once put it, Young really was “the daddy of us all”. Here we explore the impact of avant-garde composer ...
The Tamburas of Pandit Pran Nath by La Monte Young, Marian Zazeela, released 17 June 2021 1. The Tamburas of Pandit Pran Nath "82 VII 15 c. 6:35 — 7:35:30 PM + c. 6:37 — 6:52:30 PM NYC" "This recording is an invaluable artifact, destined to become a cherished classic, valued for years to come by those able to appreciate the subtle vibratory qualities of this High Art.
Profile: La Monte Young is an American avant-garde artist, composer and musician, generally recognized as one of the first minimalist composers. His works are cited as notable examples of post-war avant-garde, experimental, and contemporary music. Young is especially known for his exploration of drone music. Born October 14, 1935 in a log cabin ...
10 de mar. de 2017 · La Monte Young has pioneered the concept of extended time durations in contemporary music for over 40 years. He contributed extensively to the study of just intonation and to the development of rational number based tuning systems that are used in his periodic composite sound waveform environments, as well as in many of his major performance works.
