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11 de mar. de 2024 · This is a solid stoner comedy, gleefully dumb and unapologetically wacky. But as a teen comedy, Y2K lacks the emotional awareness of classics like Clueless, the original Mean Girls, or Superbad. In short, Y2K is a good time, but falls short of greatness. Y2K was reviewed out of the world premiere at SXSW. Topics: Entertainment, Film, SXSW.
10 de mar. de 2024 · Y2K, a disaster comedy co-written with Evan Winter and produced by A24, is a promising if wildly uneven debut that banks heavily, often successfully, on Mooney’s penchant for late ‘90s ...
11 de mar. de 2024 · This is a solid stoner comedy, gleefully dumb and unapologetically wacky. But as a teen comedy, Y2K lacks the emotional awareness of classics like Clueless, the original Mean Girls, or Superbad. In short, Y2K is a good time, but falls short of greatness. Y2K was reviewed out of the world premiere at SXSW. Topics: Entertainment, Movies, SXSW.
10 de mar. de 2024 · Mooney demonstrates a commendable ability to balance humor, horror, and heartfelt drama, even if the film’s conclusion veers towards the predictable. The abrupt resolution may leave some viewers ...
11 de mar. de 2024 · At its best, the teen horror comedy Y2K will make you feel glad that Kyle Mooney and Evan Winter were the first to the punch. Displaying the shaggy looseness of sketch comedy, the film regards its setting with an irony-free attention to detail as it keys itself to the vibes of people who came of age before the new millennium started and would ...
10 de mar. de 2024 · But if the only lasting legacy of Y2K is the inspiration it provided for Kyle Mooney‘s debut feature, the whole ordeal might end up being remembered as a net positive for humanity. Combining the ...
16 de mar. de 2024 · Y2K. 7 Score. Kyle Mooney's deliriously unhinged "Y2K" is a cinematic chimera - an ungainly hybrid splicing nostalgic teen angst with apocalyptic science fiction horror. While its tonal shifts veer perilously close to whiplash, there's an undeniable demented charm in this auteur's willful refusal to color inside conventional narrative lines.