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  1. Hace 1 día · The Pretenders “Stop Your Sobbing”. “I like The Pretenders ‘Stop Your Sobbing’, that was great,” Ray Davies said. Written by Ray Davies, the track was first featured on The Kinks self-titled debut studio album released in 1964. Then it was covered by The Pretenders 15 years later on their self-titled debut record released in 1979.

  2. Hace 5 días · From The Everly Brothers to The Kinks, Oasis, and beyond… there is something unique about siblings who create music together. Scientifically a part of their genetics to be within the same range, another fascinating sibling musical group to emerge in more recent times are Australia’s Angus & Julia Stone.

  3. My main kinks are: praise, contrast, denial, clothing malfunctions (tight, outgrown or popping/tearing) a playful bit of teasing, decadence and encouragement! Hard limits are: vore, death, scat, farts, body hair, toilet stuff and lactation. I also only play as feeder and don’t do mutual gaining, sorry.

  4. Hace 22 horas · Within the song, the singer also takes a jab at his former touring buddies, The Jam, singing, “They got Burton suits,” referring to the stage gear worn by Weller and company, adding, “Huh, you think it’s funny, turning rebellion into money”. The lyric sees Strummer bemoan the development of the punk scene. What had begun as a complete ...

  5. Hace 3 días · If you are a big Rush fan you probably heard this phrase a thousand times because it is the intro of their hit “The Spirit of Radio”, featured on their 1980 album “Permanent Waves”. Although the track is a tribute to every radio station in the world, it was actually inspired by a Canadian station called CFNY, which was formed in 1960 ...

  6. Hace 5 días · About Press Copyright Contact us Creators Advertise Developers Terms Privacy Policy & Safety How YouTube works Test new features NFL Sunday Ticket Press Copyright ...

  7. Hace 22 horas · Half a Mile AwayUntil the Night52nd Street. AMG Review. Once The Stranger became a hit, Billy Joel quickly re-entered the studio with producer Phil Ramone to record the follow-up, 52nd Street. Instead of breaking from the sound of The Stranger, Joel chose to expand it, making it more sophisticated and somewhat jazzy.