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Musician, songwriter. Instrument (s) Guitar, vocals. Years active. 1964–present. William Murray Bremner (born 4 August 1946, in Aberdeen, Aberdeenshire, Scotland) is a Scottish guitarist, best known for his work in the band Rockpile and on many of Nick Lowe and Dave Edmunds ' albums.
In 2003, Willis and Bruce Robison, her husband and fellow country musician, released the record Happy Holidays, a cover album of Christmas songs. Starting in 2005, Willis and Robison appeared in television and radio commercials for the anti-allergy product Claritin.
Backing Vocals – Andrew Gold, Andy Sturmer, Harry Stinson, Jonell Mosser, Kelly Willis, Kieran Kane, Roger Manning* Bass – Glenn Worf; Coordinator [Project Coordinator] – Jane Oppenheimer, Jessie Noble; Drums – Harry Stinson; Electric Guitar – Billy Bremner, Michael Henderson* Engineer [Overdubs Assisted] – Dan Bosworth
Kelly Willis is Back Being Blue, to take a color-coded cue from the title of her seventh album.It’s a shade she wears well, though long-patient fans might just say: You had us at back.They’ll take a new Willis record in whatever hue it comes, now that it’s been 11 years since her last solo release, 2007’s Translated from Love.The Austin-based singer/songwriter has hardly been MIA in ...
Personnel. Richard Bennett - acoustic guitar. Billy Bremner - electric guitar. Dan Dugmore - steel guitar. Andrew Gold - background vocals. Mike Henderson - electric guitar, mandolin. Jellyfish (band) - background vocals. Kieran Kane - bouzouki, mandolin, background vocals. Fats Kaplin - accordion, fiddle, flute.
9 de jul. de 2008 · I remember Pete Townshend jumping on my glittery top hat in the grand finale song. He lost his so, took mine and trampled it. All in good fun but, he was pretty drunk. Robert joined us on “Little Sister.”. He is an old rock ‘n’ roller at heart. We had not rehearsed, as you can tell by the very dodgy ending.
But though the tunes are her solidest yet, Don Was's Billy Bremner guitar and Jellyfish harmonies don't set them off any more clearly than Tony Brown's neoclassical taste did. That's mostly because Willis's idea of a good lyric is a simple lyric. No wordplay, no narrative, no trenchant details--just the musical statement, alive and direct.
