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Keith Godchaux (* 19.Juli 1948 in Concord, Kalifornien; † 21. Juli 1980 in Marin County, Kalifornien) war ein US-amerikanischer Musiker, 1971 bis 1979 Pianist und Keyboarder bei den Grateful Dead.. Biografie. Godchaux wuchs in San Francisco auf. Als Kind hatte er fünf Jahre klassischen Klavierunterricht, bevor er sich als Teenager für Country, Rock und Jazz zu interessieren begann.
Keith & Donna is an album by Keith Godchaux and Donna Jean Godchaux. Their only studio album as a duo leading their own band, it was released in 1975 on the Round Records label. Produced as a vinyl LP, it has not been released on CD.
Keith Richard Godchaux (19 de julho de 1948 – 23 de julho de 1980) foi um músico estadunidense, mais conhecido por seu trabalho no Grateful Dead, uma banda de rock progressivo.. História. Keith Godchaux nasceu em Seattle, Washington, e cresceu na cidade de Concord, na Califórnia.Ele conheceu e se casou com Donna Jean Godchaux em 1970.O casal teve um filho, Zion, da banda BoomBox, nascido ...
Keith Godchaux. Real Name: Keith Richard Godchaux. Profile: (July 19, 1948 – July 23, 1980) was a pianist best known for his tenure in the rock group the Grateful Dead from 1971 to 1979. Brother of Brian Godchaux . Killed in a car accident July 23rd, 1980. Just 32 years old.
4 de mar. de 2014 · Someday, Godchaux hopes to re-issue Keith & Donna, the out-of-print set of Marin Country R&B and soul that she and her late husband recorded with Garcia’s help in 1975.
Keith Godchaux est né à Seattle et a grandi en Californie. Keih Gochaux participait au groupe Dave Mason (ex Traffic) quand le couple s'est présenté à Jerry Garcia lors de l'un de ces concerts solos en octobre 1971. Il a rejoint le Grateful Dead peu après 1 et en est resté un membre jusqu'à février 1979. Il a été remplacé par Brent ...
23 de jul. de 2020 · 40 years ago today (7/23/80), the late Keith Godchaux died from injuries sustained in an automobile crash.During most of his tenure with the Dead (1971-1979), Godchaux contributed to the Dead’s most creatively fruitful period, where marathon peformances were rampant and his acoustic piano contributions served as springboard and engine of improvisation and melody.
