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Amos Blackmore Wells naît à Memphis, dans le Tennessee, le 9 décembre 1934. À peine âgé de dix ans, Junior Wells joue de l'harmonica dans les rues de sa ville natale, à l'instar de son idole, John Lee « Sonny Boy » Williamson, qu'il rencontre lorsqu'il s'installe à Chicago en 1946. Avec Little Walter et Big Walter Horton, Junior Wells est un des harmonicistes les plus doués et les ...
Amazingly, Junior Wells kept at precisely this sort of thing for over 40 years -- he was an active performer from the dawn of the 1950s to his death in the late '90s. Born in Memphis, Wells learned his earliest harp licks from another future legend, Little Junior Parker , before he came to Chicago at age 12.
2 de ene. de 2024 · Died. 15 January 1998 (aged 63) Junior Wells (December 9, 1934 - January 15, 1998), born Amos Blakemore, was a blues vocalist and harmonica player based in Chicago who was famous for playing with Muddy Waters, Buddy Guy, Magic Sam, Lonnie Brooks, The Rolling Stones and Van Morrison. He was born in Memphis, Tennessee, and ra… read more.
Junior Wells, vero nome Amos Wells Blakemore Jr. (Memphis, 9 dicembre 1934 – Chicago, 15 gennaio 1998), è stato un armonicista statunitense. È stato un importante esponente del blues americano. Ha raggiunto la notorietà grazie a collaborazioni con artisti come Muddy Waters, Buddy Guy, Bonnie Raitt, The Rolling Stones e Van Morrison
Junior Wells, właśc.Amos Blakemore (ur. 9 grudnia 1934 w Memphis, zm. 15 stycznia 1998 w Chicago) – amerykański muzyk bluesowy, wokalista i harmonijkarz.. Wells działał w Chicago, był związany z regionalnym gatunkiem bluesa – bluesem chicagowskim.Współpracował z takimi sławami jak Muddy Waters, Buddy Guy, Magic Sam, Lonnie Brooks i Van Morrison.
31 de dic. de 2007 · "an old pharaoh and nice outstanding musician"
8 de mar. de 2024 · Recorded when Buddy Guy and Junior Wells were still known as two of Chicago’s finest sidemen, Hoodoo Man Blues thrust the pair into the spotlight and marked a turning point for Chicago blues. Up to this point, Chess Records was the dominant influence on the local scene, and recordings of all the greats were often compromised by the regulations and unabashedly commercial intentions of Leonard ...
