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  1. Jonathan Mark Thomas Noyce (nacido el 15 de julio de 1971 en Sutton Coldfield, Warwickshire, Inglaterra) fue el bajista de Jethro Tull desde 1995 hasta 2007. También ha tocado para Gary Moore, desde 2005, y para Archive desde 2007.

  2. Jonathan Mark Thomas Noyce (born 15 July 1971) is an English musician. He is primarily a bass guitar player. Noyce is known for being a member of British rock group Jethro Tull for 12 years, and also for his collaborations with guitarist Gary Moore, film composer Daniel Pemberton, the band Archive and French artist Mylène Farmer.

  3. jethrotull.com › the-attic › past-band-members-and-guestsJonathan Noyce - Jethro Tull

    In 2006 Jonathan joined The Divine Comedy for some European dates and one off television appearances. Since 2007 Jonathan has been a member of the UK band Archive. He is featured on the recordings Live at the Zenith, Controlling Crowds, Controlling Crowds Part 4 and “With Us Until You’re Dead”.

  4. Jonathan Noyce – bass, percussion (1995–2007) Florian Opahle – electric and acoustic guitars (2017–2019) Joe Parrish – electric and acoustic guitars, vocals (2020–2024) Guest musicians. David O'List – guitar (1968) Tony Iommi – guitar (1968) Tony Williams – bass (1978) Eddie Jobson – keyboards, violin (1980–1981, 1985)

  5. 15 de mar. de 2021 · Longtime Jethro Tull bassist on Mark King, Ian Anderson, and playing appropriately. Exclusive interview with FBPO’s Jon Liebman. March 15, 2021. Photo by David Levine. British multi-instrumentalist Jonathan Noyce made his first career breakthrough in 1993, playing studio bass for the U.K. pop group Take That.

  6. Jonathan Mark Thomas Noyce (nacido el 15 de julio de 1971 en Sutton Coldfield, Warwickshire, Inglaterra) fue el bajista de Jethro Tull desde 1995 hasta 2007. Jonathan Noyce en 2017. También ha tocado para Gary Moore , desde 2005, y para Archive desde 2007.

  7. Jonathan Noyce. Since I was very young I wanted to play the drums but, unfortunately for me, my parents’ house was a four hundred year old cottage which would have been reduced to a dusty pile of straw, chalk, plaster and wood by even the most elegant of misplaced footsteps.