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Jan Hammer is interviewed by Steve Raible for the Seattle television program "Seven:30".Visit the Official Jan Hammer Website at http://www.janhammer.com- -...
Jan Hammer biography Jan Hammer, Jr. - Born April 17, 1948 (Prague, Czechoslovakia) - US resident since 1968 One of the major keyboard players of the last 35 years, JAN HAMMER has one of the most distinctive sounds and styles in the jazz rock and electronica.
Jan Hammer (* 17. dubna 1948 Praha) je hudební skladatel a multiinstrumentalista (klavírista, hráč na syntetizéry, kytarista, bubeník atd.) českého původu, žijící v USA.Byl členem legendární jazz-rockové formace Mahavishnu Orchestra a nahrál jak velké množství sólových desek, tak tituly v rámci příležitostných sestav nebo s vlastní skupinou, ve kterých se pohybuje ...
Jan Hammer (prononciation tchèque : [ˈjan ˈɦamɛr]), né le 17 avril 1948, est un claviériste, compositeur et producteur tchèque. Il a d'abord gagné son public le plus visible en jouant des claviers avec le Mahavishnu Orchestra au début des années 1970, ainsi que ses musiques de films pour la télévision et le cinéma, notamment le fameux Miami Vice Theme (souvent attribué, à tort ...
22 de sept. de 2023 · Jan Hammer. Jan Hammer's musical career is as firmly rooted in the fundamentals of classical, jazz and rock as it is committed to the future of electronics, synthesized sound, the possibilities of interactive media, television, film and animation. His walls are lined with Grammy awards and gold and platinum plaques from around the world.
Jan Hammer (Praga, 17 aprile 1948) è un tastierista e compositore ceco.. Attivo in diversi progetti musicali, durante la sua carriera, iniziata negli anni sessanta ha vinto alcuni Grammy awards. È tuttavia meglio conosciuto per le canzoni Miami Vice Theme e Crockett's Theme, della popolare serie americana degli anni ottanta, Miami Vice: la prima e la seconda compariranno anche nel videogioco ...
Jan Hammer has no problem with dance music, but is disappointed at the lack of opportunity radio and TV provides for other styles of synth playing. "I have also produced dance music and I enjoy listening to some of it where there are stark sounds and imaginative programming, but with most of it there's a musician presence that's missing — where the musician has something to say," says Jan.
