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  1. www.imdb.com › name › nm0855101James Tenney - IMDb

    James Tenney. Composer: Interim. James Tenney was born on 10 August 1934 in Silver City, New Mexico, USA. He was a composer and actor, known for Interim (1952), Unglassed Windows Cast a Terrible Reflection (1953) and Having Never (2015). He was married to Carolee Schneemann and Lauren Pratt. He died on 24 August 2006 in Los Angeles, California, USA.

  2. Instrumentation : Computer music recorded on stereo magnetic tapeto be played forwards or backwards, optionally with String Complement, Percussion Complement , Instrumental Responses, or Dance Response. Year: 1964. Duration: 18:00. Publisher : Smith Publications. Recording available from: New World Records.

  3. 24 de dic. de 2023 · "James Tenney (1934-2006) was one of the most versatile figures in contemporary American music. Apart from creating a large, wide-ranging, and fascinating body of compositions, more than a hundred of them, he was one of the key music theorists of the late twentieth century.

  4. James Tenney (10 Aug 1934 - 24 Aug 2006) 0 references . Sitelinks. Wikipedia (9 entries) edit. arzwiki چيمس ...

  5. JAMES TENNEY: SELECTED WORKS 1961 – 1969 (ART 1007, 1992) by James Tenney (composer), released 03 January 1992 1. COLLAGE #1 ("BLUE SUEDE") 2. ANALOG #1 (NOISE STUDY) 3. DIALOGUE 4. PHASES (FOR EDGARD VARÈSE) 5. MUSIC FOR PLAYER PIANO 6. ERGODOS II (FOR JOHN CAGE) 7. FABRIC FOR CHÉ 8. FOR ANN (RISING) Note: The Artifact release of James Tenney: Selected Works 1961-9 is OUT OF PRINT.

  6. James Tenney ( 10. srpna 1934 Silver City, Nové Mexiko, USA – 24. srpna 2006 Valencia, Kalifornie, USA) [1] byl americký klavírista, hudební skladatel a hudební teoretik. Studoval na University of Denver, Juilliard School, Bennington College a University of Illinois. Po ukončení studií začal spolupracovat s Johnem Cagem a hrál i s ...

  7. Between 1971 and 2006, James Tenney created more than fifty significant works of what is now commonly called ‘spectral music’. In their materials and procedures, his compositions frequently paralleled, sometimes anticipated, and in some instances strikingly contrasted with spectralist developments in Europe.