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  1. 25 de abr. de 2024 · The band was started in the mid-1960s by former folk musicians; in late 1966, however, edgy-voiced ex-model Grace Slick and the harder, rumbling rhythms pouring from bassist Jack Casady and drummer Spencer Dryden transformed Jefferson Airplane into a dance band with a social conscience.

  2. Hace 2 días · Guitarist Jorma Kaukonen and bassist Jack Casady left Jefferson Airplane in 1973 to focus on their band Hot Tuna, and Slick released her first solo album, Manhole, in January 1974. The same year, Slick and Kantner transitioned Jefferson Airplane into a spinoff band called Jefferson Starship.

  3. 7 de may. de 2024 · Welcome to Tunabase. The musical life of Jorma Kaukonen and Jack Casady. The Hot Tuna / Jorma Kaukonen Setlists. This project was started by Michael Scotellaro from NJ, along with John Blasi from Italy and Thomas Donhauser from Germany. It was more or less created to help identify tapes correctly.

  4. 7 de may. de 2024 · What does the title of the song mean? The title “3/5 of a Mile in 10 Seconds” refers to the length of the run-up area for the 100-meter dash in Olympic track and field events. It’s a metaphor for the fast-paced and counterculture lifestyle of San Francisco during the 1960s. What is the meaning behind the lyrics “Let’s get down to the nitty-gritty”?

  5. 4 de may. de 2024 · Slick’s vivacity and Marty Balin’s softer folk offerings were particularly crucial in driving the soul of the album, while the combined musicality of Jack Casady, Spencer Dryden, Paul Kantner...

  6. 23 de abr. de 2024 · L-R: Guitarist Paul Kantner, drummer Spencer Dryden, singer Grace Slick, guitarist Jorma Kaukonen, bassist Jack Casady, singer Marty Balin. (Photo by RCA Records/Getty Images) Every year, 25 audio recordings are added to the National Recording Registry at the Library of Congress.

  7. Hace 1 día · The long studio jam "Voodoo Chile", which Hendrix developed into "Voodoo Child (Slight Return)", was recorded with organist Steve Winwood and bassist Jack Casady. Jamming was integral to his songwriting process [10] and several posthumous post-1980 albums contain songs that are largely studio jams with various players.

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