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Ivana Bašić. Human is at Schinkel Pavillon. Curated by Nina Pohl & Franziska Sophie Wildförster. Initial curatorial idea by Laura López Paniagua. 19. March 2023 – 23. July 2023. Distinctions between dystopia and reality are increasingly collapsing in the face of inexhorable tech-nological and ecological upheavals.
Ivana Bašić was born in 1986 in Belgrade, Serbia. The artist completed her M.P.S. at the Tisch School of the Arts, New York University, in 2012. In her work, Bašić addresses the vulnerability and transformation of the body and human matter.
Ivana Bašić (born 28 February 1976) is a Croatian actress. Bašić was born in Vranje, Serbia, formerly part of Yugoslavia, on 28 February 1976, and spent her early childhood there. When she was 6 years old, she and her family moved to Split, Croatia, which was also formerly part of Yugoslavia.
30 de abr. de 2002 · Name in home country: Ivan Bašić Date of birth/Age: Apr 30, 2002 (22) Place of birth: Imotski Height: 1,78 m Citizenship: Bosnia-Herzegovina Position: Midfield - Attacking Midfield Foot: left Player agent: ARENA Sport Agency Current club: FK Orenburg Joined: Jul 1, 2022 Contract expires: Jun 30, 2025.
IVANA BAŠIĆ (b. 1986, Belgrade, Serbia) is an artist based in New York. Her recent shows include: ANTI, Athens Biennale 2018; Künstlerhaus Halle für Kunst & Medien, Graz; Marlborough Contemporary, New York; Whitney Museum of American Art, New York; La Panacée MoCo (Montpellier Contemporain); Andrea Rosen Gallery, New York; 57.
Ivana Bašić (Serbian Cyrillic: Ивана Башић; born 1986 in Belgrade) is a Serbian artist living and working in New York. Bašić specializes in sculpture blending various materials, including wax, glass, stainless steel, alabaster and oil paint , as well as immaterial elements such as torque, breath, weight, rigidity and ...
Ivana Bašić (b. 1986 in Belgrade, Serbia) has been creating works that address vulnerability and transformation of the body and human matter. Her sculptures, which consist of wax, glass, steel, alabaster, oil paint, and immaterial matter such as breath and pressure, prompt the viewers to radically reimagine posthuman ontology.
