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  1. nl.wikipedia.org › wiki › Howards_EndHowards End - Wikipedia

    Howards End kan verwijzen naar: Howards End (boek), een boek uit 1910 van E.M. Forster. Howards End (film), een boekverfilming uit 1992 van James Ivory. Howards End (miniserie), een miniserie van de BBC uit 2017. Bekijk alle artikelen waarvan de titel begint met Howards End of met Howards End in de titel . Dit is een doorverwijspagina, bedoeld ...

  2. The pinnacle of the decades-long collaboration between producer Ismail Merchant and director James Ivory, Howards End is a luminous vision of E. M. Forster’s cutting 1910 novel about class divisions in Edwardian England. Emma Thompson won an Academy Award for her dynamic portrayal of Margaret Schlegel, a flighty yet compassionate middle-class intellectual whose friendship with the dying wife ...

  3. Comparing the four-part Howards End miniseries to the 1992 Merchant Ivory film in which Prunella Scales played Aunt Juley, Ullman told Salon, “[A]s I get older, it’s lovely to be asked to do ...

  4. www.bbc.co.uk › programmes › b09g9nr8BBC One - Howards End

    Howards End. Home. Episodes. Clips. Four-part adaptation of EM Forster's classic novel telling the story of two independent and unconventional sisters and the men in their lives.

  5. Historical Context of Howards End. The Edwardian Period that came to a close with the outbreak of WWI in 1914 is considered to be the height of the British empire. This time period was later viewed with nostalgia and romanticized as a “golden age” in England, when the horrors of WWI were still unimagined. The fight for women’s suffrage ...

  6. Regreso a Howards End es una película dirigida por James Ivory con Anthony Hopkins, Emma Thompson. Sinopsis : Margaret y Helen Schlegel son dos hermanas cuya relación con la rica familia de los ...

  7. 5 de jun. de 2005 · Now streaming on: Powered by JustWatch. There are two conversations in "Howards End" (1992) between Henry Wilcox, a wealthy businessman, and Margaret Schlegel, who becomes his second wife. The first is amusing, the second desperate, and they express the film's buried subject, which is the impossibility of two people with fundamentally different ...