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Honeymoon in Red is a concept album by a band of the same name, released in 1988, primarily written by Lydia Lunch and Rowland S. Howard. Honeymoon in Red is sometimes referred to as a band or alternately as a collaboration between Lydia Lunch and members of The Birthday Party .
Barry Adamson (born 11 June 1958) is an English pop and rock musician, composer, writer, photographer and filmmaker. He came to prominence in the late 1970s as a member of the post-punk band Magazine and went on to work with Visage, Nick Cave and the Bad Seeds, and the electro musicians Pan Sonic.In addition to prolific solo work, Adamson has also remixed Grinderman, The Jon Spencer Blues ...
Barry Adamson durante su actuación en el Festival Primavera Sound 2007. Nació en Moss Side, Mánchester, el 11 de junio de 1958. [1] De niño compone su primera canción, "Brain Pain" . En sus primeros años se influenció por la música de Motown, el jazz, el glam rock de David Bowie, Roxy Music y Alice Cooper, y Led Zeppelin.
View credits, reviews, tracks and shop for the 1990 CD release of "Honeymoon In Red" on Discogs.
Barry Adamson has been creating all of his life. Brought up in Manchester’s Moss Side, Adamson learnt to play the bass overnight for Magazine, Manchester’s most influential band of that era. When they disbanded, five albums later in 1981, his singular style was spotted by The Birthday Party, with whom he played several times. His ...
12 de feb. de 2020 · The track marked the beginnings of Lunch and Howard’s lifelong friendship, which saw them record further early 1980s tracks for Lunch’s 1987 Honeymoon In Red, their 1991 album Shotgun Wedding and its later live souvenir follow-up.
Barry Adamson. London, UK. Barry Adamson rose to prominence as the bass player in Mancunian legends, Magazine. His establishment as a solo artist came after a three-year stint with Nick Cave and the Bad Seeds and heralded the release of first solo album, 'Moss Side Story’. Look out for the release of the movie length documentary - Scala!!! , a new studio album ‘Cut To Black' and much ...
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