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  1. 8 de may. de 2024 · Hildegard Bechtler is an award-winning designer based in London and working internationally. As well as Oedipus and Children of Nora for the ITA ensemble, Hildegard has collaborated with director Robert Icke on the acclaimed Almeida Theatre productions of Hamlet, Mary Stuart and Oresteia (all of which transferred to London’s West ...

  2. tga.nl › medewerkers › hildegard-bechtlerHildegard Bechtler

    30 de abr. de 2024 · Hildegard Maria Bechtler (1951) is een Duitse kostuumontwerper en scenograaf. Ze werd geboren in Baden en groeide op in Stuttgart. In de jaren 70 verhuisde ze naar Londen, waar ze sindsdien talloze scenografieën voor opera en theater ontwierp.

  3. 14 de may. de 2024 · Hildegard Bechtler Costumes Katrina Lindsay Lumières Peter Munford Video Finn Ross. Faust Michael Spyres Méphistophélès Michele Pertusi Marguerite Maria-Riccarda Wesseling Brander Simon Bailey. Symfonisch Orkest van de Vlaamse Opera Koor & Kinderkoor van de Vlaamse Opera Direction musicale Dmitri Jurowski. Vlaamse Opera Gent, dimanche 16 ...

  4. 13 de may. de 2024 · Also announced today are the additional members of the creative team – Hildegard Bechtler (set design), Wojciech Dziedzic (costume design), Natasha Chivers (lighting design), Tom Gibbons (sound design), Tal Yarden (video design) and Julia Horan CDG (casting director).

  5. 13 de may. de 2024 · As already announced, joining Robert Icke in the creative team of Oedipus are Hildegard Bechtler (Set Design), Wojciech Dziedzic (Costume Design), Natasha Chivers (Lighting Design), Tom Gibbons (Sound Design), Tal Yarden (Video Design) and Julia Horan CDG (Casting Director).

  6. 28 de abr. de 2024 · Dramaturgie. Anika Steinhoff. The English director and author Robert Icke is known for his remarkable adaptations and stagings of classic texts. His adaptation of Arthur Schnitzlers PROFESSOR BERNHARDI (premiered in Berlin in 1912) focuses on Dr Ruth Wolff, a secular Jew and head of a renowned clinic for Alzheimer patients.

  7. 30 de abr. de 2024 · Das Leben der Cellistin wird im Bühnenbild von Hildegard Bechtler skizziert, das mit einer geschwungenen Lichtskulptur an der Decke an die Schalllöcher eines Cellos erinnert.