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  1. I Don't Wanna is a retrospective album released in 2005 on Locust Music consisting of demos recorded in 1966 by Henry Flynt & The Insurrections, a garage rock protest group led by Flynt on lead vocals and electric guitar, Walter De Maria on drums, Art Murphy on keyboards, and Paul Breslin on upright bass.. The music on I Don't Wanna is primarily a rockabilly and delta blues-inspired exercise ...

  2. That survives and was published in Henry Flynt: Fragments and Reconstructions from a Destroyed Oeuvre (New York, backworks, 1982). “Cans on Windows” by La Monte Young. The embracing title is 2 Sounds (1960). “my revolution in mathematics” When Flynt submitted “Concept Art” for publication, he did not include this appendix.

  3. Henry Flynt (* 1940 in Greensboro, North Carolina) ist ein amerikanischer Avantgardekünstler, dessen vielfältige Aktivitäten sich auf die Philosophie, Mathematik, Wirtschaftswissenschaften, Musik und Bildende Kunst erstrecken. Leben und Werk. Flynt wird mit den Kunstrichtungen ...

  4. Flynt photographed the first phase, taking the photos in 1979 without knowing who the graffitists were. When Flynt first exhibited his portfolio, he got to know Diaz and Dawson, and was able to cross-check the authorship of every graffito. ... Read "Viewing SAMO©" by Henry Flynt (PDF, 182k)

  5. henryflynt.bandcamp.com › album › graduationGraduation | Henry Flynt

    2 de abr. de 2013 · Graduation by Henry Flynt, released 02 April 2013 1. Graduation 2. A Portrait 3. Lonesome Train Dreams 4. Double Spindizzy 5. No Rights 6. Virginia Trance 7. Conga 8. Celestial Power Henry Flynt took a high-brow approach to so-called low-brow music. Combining sounds from his native North Carolina with an avant-garde sensibility honed in New York City's loft scene in the 1960s, Flynt ...

  6. www.soundohm.com › artist › henry-flyntHenry Flynt – Soundohm

    Philosopher, composer, and violinist Henry Flynt occupies a unique place in the history of experimentalism in the United States. Highly critical of established institutions of “serious culture,” Flynt began in the 1960s to combine blues licks and country fiddling styles with a modal approach to extended improvisation.

  7. Com o ideal de expandir a arte, Henry Flynt trabalhou com o termo da arte conceitual. Dessa maneira, o modo de se fazer e pensar a arte eram completamente alterados a partir de ideais próprios do artista. O problema é que algumas pessoas costumam confundir a ideia do trabalho de Flynt e menosprezar o artista por conta disso.

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