Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. 21 de may. de 2022 · Directed by John McNaughton. With Michael Rooker, Tracy Arnold, Tom Towles.Henry: Portrait of a Serial Killer DVD : https://amzn.to/3UbNPCuHenry: Portrait of...

  2. HENRY: PORTRAIT OF A SERIAL KILLER. Directed by. John McNaughton. United States, 1986. Drama, Horror, Thriller. 82. Synopsis. Arriving in Chicago, Henry (Michael Rooker, in what is undoubtedly the finest performance of his patchy career), moves in with ex-con acquaintance Otis (Tom Towles) and starts schooling him in the ways of the serial killer.

  3. Available on Prime Video, iTunes, Paramount+. Based on the horrifying true story of convicted mass-murderer Henry Lee Lucas (portrayed a magnetic Rooker), John McNaughton’s Henry: Portrait of a Serial Killer is one of the most remarkable films in the crowded serial killer genre. Impressively building to a disquieting and horrific climax, the ...

  4. 28 de ene. de 2022 · Order on Limited Edition 4K UHD: https://bit.ly/3IM7NLO Order on Limited Edition Blu-ray UHD: https://bit.ly/35mkoGU Widely heralded as one of the greatest s...

  5. An utterly discomforting journey into the mind of a sadist, Henry: Portrait of a Serial Killer is exactly what its subtitle suggests. Brutal, disturbing & absolutely uncompromising with its content, Henry is unsettling from the very first frame but what really separates it from other similar examples is its stringent focus on telling the story from the killer's perspective.

  6. Henry: Retrato de un asesino es una película dirigida por John McNaughton con Michael Rooker, Tracy Arnold, Tom Towles, Anne Bartoletti .... Año: 1986. Título original: Henry: Portrait of a Serial Killer. Sinopsis: Henry Lee Lucas tuvo una infancia muy desgraciada y acabó en la cárcel por acuchillar a su madre. Una vez en libertad, se convierte en un asesino que escoge a sus víctimas al ...

  7. 7 de sept. de 2005 · Henry: Portrait of a Serial Killer doesn’t so much bring us closer to the serial murderer; it reminds us of our culpability as spectators. Rather than the vicarious thrills of a hack-and-slash thriller, John McNaughton’s film rubs our noses in the lack of empathy required to do harm to others. Evil, then, becomes the absence of a conscience ...