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2 de may. de 2024 · Hapshash And The Coloured Coat – Featuring The Human Host And The Heavy Metal Kids (1967) Hapshash & the Coloured Coat was an influential British graphic design and avant-garde musical...
Michael English (5 September 1941 – 25 September 2009) was a British artist known for poster designs he created in the 1960s for musicians such as Jimi Hendrix in collaboration with Nigel Waymouth and the design company they established, Hapshash and the Coloured Coat, and for several series of hyper realist paintings in the 1970s and 1980s.
27 de abr. de 2024 · Born from the psychedelic counterculture of London's late 1960s, Hapshash and the Coloured Coat brought together an array of artists and musicians to create a truly experimental musical experience. With their improvisational approach and blending of Eastern and Western sounds, this collective proved that boundaries were meant to be ...
1 de may. de 2024 · Alphonse Mucha and Hapshash & the Coloured Coat (Michael English and Nigel Waymouth). Aesthetically their work is just gorgeous. They all use feminine and organic themes, and sometimes offset them with surreal or dark imagery.
30 de abr. de 2024 · Jersey City, NJ, USA. 1-Rolling Stones-Their Satanic Majesties Request 2-The Who Sell Out 3-The Beach Boys-SMiLE 4-The Beatles-Revolver 5-The Monkees-Pisces, Aquarius, Capricorn, and Jones LTD. 6-The Pretty Things-S.F. Sorrow 7-Pink Floyd-The Piper at the Gates of Dawn 8-The Zombies-Odessey and Oracle 9-The Beatles-Sgt. Pepper's Lonely Hearts ...
20 de abr. de 2024 · The Amboy Dukes combine hard rock and psychedelic mayhem into an early concept album - one that features Ted Nugent’s heavy proto-metal sound. It’s said that the magic is in Bob Shad’s producing these thunderous sounds like a jazz album! Includes a pack of rolling papers, pressed on hookah glass coloured vinyl!
15 de abr. de 2024 · I’d known Mickey from Hapshash and the Coloured Coat, and Mark, just from being around the business. Meeting-wise, I got to see all the big shots that Richard Roemer had set me up with, including Joe Smith, who ran Universal Records, some top guys at Motown, and most importantly for me, Jerry Moss, the “M” of A&M, the company ...
