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  1. Jim Keltner - drums; Miguel Cruz - percussion; Bobby King, Terry Evans, Arnold McCuller, Willie Greene Jr. - backing vocals; Larry Blackmon - backing vocals on "All Shook Up" Harry Dean Stanton - backing vocals on "Across the Borderline" Technical. Ed Cherney - recording; Steven M. Martin - art direction; Kalan Brunink - black velvet ...

  2. Get Rhythm (LP, Album)Warner Bros. Records: 92 56391: Canada: 1987: Get Rhythm (LP, Album)Warner Bros. Records, Warner Bros. Records: 9 25639-1, 1-25639US: 1987

  3. en.wikipedia.org › wiki › Jim_KeltnerJim Keltner - Wikipedia

    James Lee Keltner (born April 27, 1942) is an American drummer and percussionist known primarily for his session work. He was characterized by Bob Dylan biographer Howard Sounes as "the leading session drummer in America". [1] Career.

  4. Jim Keltner; Información personal; Nombre de nacimiento: James Lee Keltner: Nacimiento: 27 de abril de 1942 (82 años) Tulsa, Oklahoma, EE. UU. Nacionalidad: Estadounidense: Información profesional; Ocupación: Baterista: Años activo: 1971- presente: Géneros: Rock, Rhythm and blues, Jazz: Instrumentos: Batería, Ukulele: Artistas relacionados

  5. Published By – Isalee Music Co. Published By – Copyright Control. Published By – MCA Music Ltd. Credits. Accordion – Flaco Jimenez. Acoustic Bass – Buell Niedlinger * ( tracks: A2, B1, B3) Art Direction – Steven M. Martin. Backing Vocals – Arnold McCuller, Bobby King, Terry Evans, Willie Greene Jr. Direct Metal Mastering By – Stephen Marcussen.

  6. 29 de dic. de 2011 · Cooder and Keltner have played together for almost 20 years, developing some of the best-honed rhythmic chops in the business; and, if nothing else, Lowe's uncanny ability to consistently find and develop Elvis Costello's best work should earn him a place in history.

  7. 29 de mar. de 2023 · Get Rhythm, released in ’87, would be his last album billed exclusively under his own name for another 18 years. Aside from Cooder’s earlier work on the Performance soundtrack, director Walter Hill was the first to commission him for film scores. The 1980 western The Long Riders was a perfect vehicle for his evocative sense of place and time.