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Solo Works by Gerry Hemingway, released 01 November 1981 1. Black Wind (Gerry Hemingway) 2. The Heming Way (Mark Helias) 3. The Dawntreader (Gerry Hemingway) 4. D.R for Solo Percussion (Earl Howard) "Solo Works"- (vinyl lp) was recorded by Dean Roumanis in September of 1981 in New Haven, Connecticut, with the high end analog equipment of Mark Levinson (rebuilt Studer @ 30ips).
Gerry Hemingway, Composer/Percussionist, has been at the forefront of creative improvised music for over two decades. He was born in 1955 in New Haven, Conn., to a family with musical interests (his grandmother had been a concert pianist and his father studied composition with Paul Hindemith). He became interested in drums around the age of ten ...
11 de feb. de 2008 · The trio of Michel Wintsch (Geneva, Switzerland), Bänz Oester (Bern, Switzerland) and Gerry Hemingway (from NYC now living in Luzern Switzerland) began touring and recording together in 1998. Earlier, Wintsch and Hemingway first worked together in 1995 when they recorded together with cellist Martin Schütz for Unit Records.
7 de may. de 2023 · Down to the Wire Gerry Hemingway Quartet HAT ART CD 6121 (93) w/Michael Moore, Wolter Wierbos, Mark Dresser. Special Detail Gerry Hemingway Quintet HAT ART CD 6084 (91) w/Don Byron, Ernst Reijseger, Wolter Wierbos, Ed Schuller. Tubworks Gerry Hemingway SOUND ASPECTS 022 (88) solo works.
Vision Festival 20: The duo of Marilyn Crispell and Gerry Hemingway is a unique and personal offering to the art of improvising and listening. Their music ha...
Gerry Hemingway Quartet "It's an extraordinary band, one that seems to pick up the free jazz tradition and infuse it with a needed brilliance and vitality. There may be some irony that this group dominated by Braxton graduates plays a blend of hard bop and free with an authority unmatched by later members of the Blakey school. The intensity ...
Marilyn Crispell & Gerry Hemingway. As members of the Anthony Braxton Quartet quartet during the 1980s and early ‘90s, Marilyn Crispell and Gerry Hemingway – along with Mark Dresser – were primary conduits of the rapid evolution of Braxton’s music during this period.
