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30 de abr. de 2024 · 60) The Fallen Idol (1948)- 11 votes. 61) Battleground- 10 votes. Fighter Squadron (1948) - 10 votes. The Film Daily Ten Best Directors of 1949. 1) Anatole Litvak for The Snake Pit (1948)- 218 votes. 2) Mark Robson for Champion- 159 votes. 3) Michael Powell and Emeric Pressburger for The Red Shoes (1948)- 143 votes.
1 de may. de 2024 · Title: REPORT TO THE COMMISSIONER. Year of Release: 1975. Director: Milton Katselas. Genre: Crime, Drama. Synopsis: A novice police officer becomes obsessed with a policewoman, unknowing that she is also on the force, but his, and her lives, are turned upside down by his infatuation. Within a film history context: Movies with a female ...
2 de may. de 2024 · George Folsey did cinematography for "Take Me Out To the Ball Game". Source: Author lowtechmaster This quiz was reviewed by FunTrivia editor jmorrow before going online. Any errors found in FunTrivia content are routinely corrected through our feedback system.
Hace 5 días · Title: WALL OF NOISE. Year of Release: 1963. Director: Richard Wilson. Genre: Drama, Sport. Synopsis: An ambitious horse trainer's problems on the track extend into his busy personal life, especially with the opposite sex. Within a film history context: Films which have a horse trainer as their central character have been quite sporadic in ...
Forbidden Planet (1956) by Fred McLeod Wilcox, DoP: George J. Folsey Album Share Add a Comment. Be the first to comment Nobody's responded to this post yet. Add your thoughts and get the conversation going. Top 1% Rank by size . More posts you may like r/CineShots. r/CineShots. The art form of film ...
27K subscribers in the cinescenes community. Whether it's a heartwarming moment, a tense showdown, or a twist that left your jaw on the floor, we all…
Hace 1 día · Not helping matters, The Letter – though a star vehicle for a major Broadway name – looks like it was shot (at Paramount’s Long Island Studios) on a string budget: The sets look like sets; the painted backdrops look like painted backdrops; the cinematography (by future 13-time Academy Award nominee George J. Folsey) is mostly flat; the scenes are static, [1] with few cuts or different ...
