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Hace 1 día · Eugène Henri Paul Gauguin (UK: / ˈ ɡ oʊ ɡ æ̃ /, US: / ɡ oʊ ˈ ɡ æ̃ /, French: [øʒɛn ɑ̃ʁi pɔl ɡoɡɛ̃]; 7 June 1848 – 8 May 1903) was a French painter, sculptor, printmaker, ceramist, and writer, whose work has been primarily associated with the Post-Impressionist and Symbolist movements.
12 de abr. de 2024 · Paul Gauguin was a French painter, printmaker, and sculptor who sought to achieve a ‘primitive’ expression of spiritual and emotional states in his work. His art has been categorized as Post-Impressionist, Synthetist, and Symbolist, and it influenced many avant-garde developments in the early 20th century.
8 de abr. de 2024 · Georges Wildenstein (1964) Gauguin. I. Catalogue, Paris: Les Beaux-Arts. Notes: ↑ a b c Attributed to Paulin Jénot, probably sketched by Gauguin.
21 de abr. de 2024 · Overview. Paul Gauguin (1848–1903) was a leading 19th-century Post-Impressionist artist, painter, sculptor, printmaker, ceramist and writer. His bold experimentation with color directly influenced modern art in the 20th century while his expression of the inherent meaning of the subjects in his paintings, under the influence of the ...
11 de abr. de 2024 · Paul Gauguin, The National Museum of Modern Art, Tokyo, 6 March 1987 - 17 May 1987, Aichi Prefectural Art Gallery, 12-28 June, cat. no. 11, col. repr. 1989. The French Modern Painting, from the National Museum of Western Art, Tokyo, Miyakonojo City Museum, 15 April 1989 - 14 May 1989, cat. no. 11, repr. 1990.
5 de abr. de 2024 · Paul Gauguin (French, 1084-1903) After: Femme cueillant des fruits et Oviri (Woman gathering fruit and the Savage). Posthumous edition woodcut, printed on tissue thin, Japon paper. Unsigned and undated. Installed in a presentation mat, unframed. There are six known copies of Femme cueillant des fruits et Oviri, all printed by Gauguin circa 1896-1897. 'Oviri' (the savage) is a term Gauguin used ...
2 de abr. de 2024 · In this view, far from being markers of wilful ‘incomprehensibility’ or ‘mystery’, Gauguin’s eclecticism and syncretism are the tools he uses to apprehend and document – the ways in which he sees ‘what was there’. Matthew Kerr is a lecturer at the University of Southampton. From the April 2024 issue of Apollo. Preview and ...
