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Hace 4 días · FutureSex/LoveSounds became the biggest pre-order album in iTunes history, breaking the all-time record for one week digital sales previously held by the English alternative rock band Coldplay. Elsewhere in Europe, the album debuted at number one in Ireland, and opened at number two in Sweden and Switzerland. [94]
12 de abr. de 2024 · FutureSex/LoveSounds. Release Date. September 7, 2006. Genre. Pop, R&B. Producer. Timbaland, Danja (original version) When it comes to the meaning behind a song, it’s often open to interpretation. However, the lyrics of “My Love” by Justin Timberlake give us some insight into the message of the song.
Hace 3 días · "SexyBack" is a song recorded by American singer-songwriter Justin Timberlake for his second studio album, FutureSex/LoveSounds (2006). It was released on July 18, 2006, to US mainstream and rhythmic radio stations [6] by Jive Records as the lead single from the album.
Hace 5 días · FutureSex/LoveSounds 0 The Fame 0 Actually, another album did it (specify in the comments) 0 Please sign in or register to vote in this poll. Recommended Posts. Virgos Groove. Posted 1 minute ago. Virgos Groove. ATRL Member; 22k Location: 🇵🇹 Share; Posted 1 minute ago Two ...
Hace 2 días · FutureSex/LoveSounds (iTunes Preorder Edition) Critic Score. NR. User Score. NR. Details. Submit Correction. September 12, 2006 / Release Date. Reissue / Format - / Label - / Genre. Full Credits . Amazon. Sign In to rate and review. CRITIC REVIEWS. Add Critic Rating. No critic reviews have been entered.
9 de abr. de 2024 · Comes Around (Interlude)" is a song recorded by American singer and songwriter Justin Timberlake for his second studio album, FutureSex/LoveSounds (2006). It was written and produced by Timberlake, Timbaland, and Danja. The song was said by Timberlake to be about betrayal and forgiveness, and was described by some music critics as a ...
19 de abr. de 2024 · Album: FutureSex/LoveSounds One time, when discussing the track, Justin explained that he was singing in a Rock style rather than traditional R&B to achieve a different effect. His idea was to embody someone like David Bowie or David Byrne, covering a James Brown hit like “Sex Machine.”
