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Funny Side of Life (conocido en Argentina como La vida en broma) es un documental de comedia y familiar de 1963, a cargo de la dirección estuvo Harry Kerwin, escrito por Arthur A. Ross, Sam Taylor, Tim Whelan y Ted Wilde, musicalizado por Walter Scharf, y el único protagonista es Harold Lloyd. [1]
Funny Side of Life. 1963. 2h 1m. IMDb RATING. 6.8 /10. 81. YOUR RATING. Rate. Documentary Comedy Family. Harold Lloyd hosts this showcase of classic moments from his 1920s films. Director. Harry Kerwin. Writers. Arthur A. Ross. Sam Taylor. Tim Whelan. Star. Harold Lloyd. See production info at IMDbPro. Add to Watchlist. 2 User reviews. Photos.
Funny Side of Life es un documental de comedia y familiar de 1963, a cargo de la dirección estuvo Harry Kerwin, escrito por Arthur A. Ross, Sam Taylor, Tim Whelan y Ted Wilde, musicalizado por Walter Scharf, y el único protagonista es Harold Lloyd. Este largometraje se estrenó el 1 de agosto de 1963.
Harold Lloyd's Funny Side of Life is a compilation film put together by Lloyd to reintroduce himself to modern audiences. In the 1960s, Lloyd's films were finally starting to be shown again. This film was created as an introduction before a screening of The Freshman.
La película Funny Side of Life es uno 121 minutos de duración comedy / family / documentary desde 1963, dirigido por Harry Kerwin.. Registro; Acceder ... Tenemos información de 3 personas que han trabajado en "Funny Side of Life". A continuación puedes ver una lista completa de ellas. Dirigido por. Harry Kerwin; Escrito por. Arthur A. Ross ...
Overview. A 30-minute compilation of clips selected by Harold Lloyd that highlight his career, plus a slightly edited presentation of THE FRESHMAN (1925) Harry Kerwin. Director. Arthur A. Ross. Writer. Top Billed Cast. Harold Lloyd. Himself. Full Cast & Crew. Social. Reviews 0. Discussions 0.
Director: Harry Kerwin. Genres: Family, Documentary, Comedy. Writer: Arthur A. Ross. Runtime: 2h 1m. Release: August 1, 1963. Cast. Harold Lloyd. Funny Side of Life Synopsis. A 30-minute compilation of clips selected by Harold Lloyd that highlight his career, plus a slightly edited presentation of THE FRESHMAN (1925)
