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Kline's large, gestural, black-and-white canvases established his reputation in 1951 and became synonymous with his name in the public mind. In addition to Merce C, the [Smithsonian American Art] museum owns another major black-and-white Kline of 1961, an untitled work.
9 de may. de 2024 · Franz Kline was an American artist who was one of the leading painters of the post-World War II Abstract Expressionist movement. Kline studied at Boston University (1931–35) and at the Heatherley School of Art, London (1937–38), settling in New York City in the latter year. He was originally a
Franz Kline. (Wilkes-Barre, Pensilvania, 1910 - Nueva York, 1962) Pintor estadounidense vinculado al expresionismo abstracto. Estudió pintura en la Universidad de Boston entre 1931 y 1935 y en 1937 viajó a París y a Londres. De vuelta a los Estados Unidos se estableció en Nueva York, donde el ambiente urbano inspiró sus primeros óleos y ...
Franz Kline (Wilkes-Barre (Pensilvania), Estados Unidos, 23 de mayo de 1910 - Nueva York, Estados Unidos, 3 de mayo de 1962) fue un pintor estadounidense asociado al grupo expresionismo abstracto que geográficamente se centra en Nueva York entre los años 1940 y los años 1950. Falleció en la ciudad de Nueva York debido a una enfermedad reumática cardíaca.
Franz Kline est un peintre américain du XX e siècle. Il est né le 23 mai 1910 à Wilkes-Barre, en Pennsylvanie, et mort le 13 mai 1962 à New York. Biographie. Il est l'une des figures ...
Franz Kline (May 23, 1910 – May 13, 1962) was an American painter. He is associated with the Abstract Expressionist movement of the 1940s and 1950s. Kline, along with other action painters like Jackson Pollock, Willem de Kooning, Robert Motherwell and Lee Krasner, as well as local poets, dancers, and musicians came to be known as the informal group, the New York School.
Black, White, and Gray. Franz Kline American. 1959. On view at The Met Fifth Avenue in Gallery 919. Composed of broad, sweeping, and luscious strokes, Black, White, and Gray suggests unrestrained artistic spontaneity. Yet Kline’s process was quite methodical. He typically began with a sketch, which he projected onto a wall, transforming ...
