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  1. www.artforum.com › features › franz-kline-2-214511Franz Kline - Artforum

    It was not until 1950 that Franz Kline’s unique abstract vision manifested its full scope. In that year, his one-man show at the Egan Gallery in New York catapulted Kline overnight into one of a handful of American artists of a new generation who were to attain world-wide fame and influence in the following decade.

  2. Franz Kline Paintings, 1950–1962has been developed under the direction of Kline scholar Dr. Robert Mattison, Marshall R. Metzger Professor of Art History. Dr. Mattison’s scholarship on American modernism has included such artists as Arshile Gorky, Grace Hartigan, Robert Motherwell, Robert Rauschenberg, and Theodoros Stamos. Dr.

  3. Franz Kline. American, 1910 - 1962. Biography; Works of Art; Related Content .] Works of Art. Filters: Sort by: Results layout: Works on View . Limit to works on view. Online Images . Limit to works with online images. Classification . Limit to works of classification: Nationality . Limit to ...

  4. "Franz Kline: Black and White, 1950–1961," March 25–June 4, 1995, no. 18. New York. The Metropolitan Museum of Art. "Abstract Expressionism and Other Modern Works: The Muriel Kallis Steinberg Newman Collection in The Metropolitan Museum of Art," September 17, 2007–February 3, 2008, extended to March 2, 2008, no. 42.

  5. Franz Kline, właśc. Franz Rowe Kline (ur. 23 maja 1910 w Wilkes-Barre, zm. 13 maja 1962 w Nowym Jorku) – amerykański malarz, przedstawiciel ekspresjonizmu abstrakcyjnego. Życiorys. W latach 1931–1935 studiował malarstwo i rysunek na Uniwersytecie Bostońskim. Następnie ...

  6. 27 de oct. de 2014 · A monument to American jazz great Joe “King” Oliver, Kline’s masterpiece captures the vivacious spirit of the 1950s New York jazz scene.http://www.christies....

  7. Franz Kline (* 23. Mai 1910 in Wilkes-Barre, Pennsylvania; † 13. Mai 1962 in New York) war ein US-amerikanischer Maler. Franz Kline gehörte zu den führenden Vertretern des abstrakten Expressionismus in den USA. Von 1931 bis 1935 studierte er an der „School of Fine and Applied Arts“, sowie an der „University of Boston“.

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