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Don Francesco, Principe Ruspoli (born 31 May 1967) is an Italian banker who is the 10th Principe di Cerveteri, 10th Marchese di Riano, 15th Conte di Vignanello and Prince of the Roman Papal State. Life and career. He is the son of Alessandro Ruspoli, 9th Prince of Cerveteri, and French aristocrat Nancy de Girard de Charbonnières.
Today Prince Francesco Ruspoli, 10th Prince of Cerveteri is the head of the House of Ruspoli and resident in Palazzo Ruspoli in Rome. Branches The Ruspoli Princes. Francesco Maria Marescotti Ruspoli, 1st Prince of Cerveteri; Alessandro Ruspoli, 2nd Prince of Cerveteri; Francesco Ruspoli, 3rd Prince of Cerveteri
Prince Alessandro Ruspoli. Mother. Countess Prudenza Marescotti-Capizucchi. Francesco, Prince Ruspoli, 3rd Prince of Cerveteri, 3rd Marquis of Riano, 8th Count of Vignanello (February 19, 1752 – March 8, 1829) was the 3rd Prince of Cerveteri, 3rd Marquis of Riano and 8th Count of Vignanello.
Born in 1958 in Paris from a British mother with a French background and a Belgian father with an Italian background, Ruspoli has presented his work in international art fairs and international galleries increasing worldwide exposure. He has been recipient of a number of important international awards and medals such as to mention a few: Eugene ...
Francesco Ruspoli, III principe di Cerveteri - Wikipedia. Francesco Ruspoli ( Roma, 19 febbraio 1752 – Roma, 8 marzo 1829) è stato un principe italiano . Indice. 1 Biografia. 2 Matrimonio e figli. 3 Onorificenze. 4 Ascendenza. 5 Note. 6 Bibliografia. 7 Voci correlate. 8 Collegamenti esterni. Biografia.
Artworks. Biography. Dealers. Timeline. Francesco Ruspoli describes himself as an Expressionist painter. Through his employment of vibrant color and modern abstraction of the human form, Ruspoli seeks to express feelings, moods — the fundamental aspect of what it means to be human.
17 de jun. de 2019 · Francesco Ruspoli’s work is an exploration of relational space and its changing possibilities within contemporary society. His work explores the dynamic frontier between abstraction and figuration. This fertile area keeps alive the infinite possibilities of being human in an age intent upon limiting them.
