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Dream Theory in Malaya: Fourth World Volume Two is an album by Jon Hassell, released in 1981. It is the sequel to his collaboration with Brian Eno, Fourth World Vol. 1: Possible Musics, which was released the previous year. The recording draws influence from the culture of the Senoi people of Malaya.
29 de sept. de 2017 · The first-ever reissue of Jon Hassell’s “Fourth World” masterpiece – originally released in 1981. Collaborators include Brian Eno, Daniel Lanois (U2, Peter Gabriel) and Michael Brook (Nusrat Fateh Ali Khan). Beautifully re-mastered, with a bonus track (“Ordinary Mind”) and liner notes written by Hassell himself.
Dream Theory in Malaya is titled after a paper by visionary anthropologist, Kilton Stewart, who in 1935 visited a remarkable highland tribe of Malaysian aborigines, the Senoi, whose happiness and well-being were linked to their morning custom of family dream-telling—where a child’s fearful dream of falling was praised as a gift to learn to ...
Fourth World Volume Two: Dream Theory in Malaya, an Album by Jon Hassell. Released in 1981 on E'G (catalog no. EGED 13; Vinyl LP). Genres: Tribal Ambient. Rated #98 in the best albums of 1981, and #8324 of all time album..
10 de sept. de 2017 · Overwhelmingly interesting and extremely variant, Jon Hassell's Dream Theory in Malaya is rescued from the stereotypical new age recipe, thanks to its ever-changing instrumental structure and the use of numerous eccentric instruments that emerge as the album progresses. 6y. View All. Task. 80.
Recorded at Bob and Daniel Lanois’s Toronto studio in 1981, Dream Theory In Malaya (Fourth World Volume Two) was titled after and inspired by a paper from visionary anthropologist Kilton Stewart, whose visits to a remote tribe, the Senoi of the Malay highlands, revealed a connection between their happiness and well-being and the tribe’s morning ...
20 de jun. de 2009 · Jon Hassell ’s second album of Fourth World music draws its inspiration from the Senoi and Semelai people in Malay and could be seen as the tunes of two tribes. The dream-telling of the Senoi and the watersplashing of the Semelai provide an otherwordly backdrop for Hassell’s fourthworldly work.
