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MORTON FELDMAN’S FOR SAMUEL BECKETT: THE SEMIOTICS OF MUSICAL TIME AND I MEET YOU. I REMEMBER YOU. (AN ORIGINAL COMPOSITION FOR VIOLIN AND CHAMBER ORCHESTRA) by David Gerard Matthews, Jr. B.M., Oberlin College Conservatory of Music, 1999 M.A., University of Pittsburgh, 2002 Submitted to the Graduate Faculty of
Discover For Samuel Beckett by Morton Feldman released in 1991. Find album reviews, track lists, credits, awards and more at AllMusic.
21 de oct. de 2006 · Amazon.com. An earlier version of Morton Feldman's For Samuel Beckett existed on a 1992 hat ART CD performed by Ensemble Modern. Their take on this eerie, meditative study in slow, dissonant pulses and atonal moods was somewhat more muted than the disc under review here. The timings are virtually the same (about 43 minutes), but the ...
Feldman for Beckett C. For Samuel Beckett perfectly reflects the absurdist aesthetic of the author of Waiting for Godot. Composed for a chamber ensemble of 15 players (four winds, four brass, four strings plus harp, piano, and vibraphone), the piece begins in the middle of nowhere, drifts around for about 45 minutes, and then simply stops.
Morton Feldman, Samuel Beckett – Neither. More images. Label:hat[now]ART – hat[now]ART 102: Format: CD, Limited Edition. Country:Switzerland: Released:1997: Genre: ... Trio of Morton Feldman. Reply 5 . Helpful. Release [r1150736] Copy Release Code. Edit Release See all versions Recently Edited. For sale on Discogs Sell a copy. 7 copies from ...
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21 de ene. de 2007 · FOR SAMUEL BECKETT (1987) was Feldman's last composition, I believe, and it has more dynamism than some of his other late works, especially in the faster reading. For me, it evokes a sense of wonder. The rocking motion of the chords repeating, but slightly differently every time, is like a revolving prism with light refracting in unpredictable directions and colors.
