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The cover credits Yoko Ono, Plastic Ono Band & Something Different. On the label it's only Yoko Ono. On the spine, Yoko Ono/Plastic Ono Band. "This album is dedicated to the sisters who died in pain and sorrow and those who are now in prisons and in mental hospitals for being unable to survive in the male society."
Feeling the Space ist das vierte Solo-Studioalbum von Yoko Ono.Gleichzeitig ist es einschließlich der drei Avantgarde-Alben sowie Some Time in New York City mit ihrem Ehemann John Lennon und des Live-Albums der Plastic Ono Band das insgesamt neunte Album Yoko Onos. Es wurde am 16. November 1973 in Großbritannien und am 2. November 1973 in den USA veröffentlicht.
Feeling the Space by Yoko Ono released in 1973. Find album reviews, track lists, credits, awards and more at AllMusic. ... Yoko Ono/Plastic Ono Band (1970) Fly (1971) Some Time in New York City (1972) Feeling the Space (1973) Approximately Infinite Universe (1973) Double Fantasy (1980)
LP, Album, Stereo. John Lennon / Plastic Ono Band. John Lennon & Plastic Ono Band. Released. 1970 — US. Vinyl —. LP, Album. Explore the tracklist, credits, statistics, and more for Feeling The Space by Yoko Ono / Plastic Ono Band & Something Different. Compare versions and buy on Discogs.
The fact that the once-reviled Yoko Ono is inspiring a new generation of activists comes as no surprise if you’ve listened to Feeling the Space, her personal-is-political 1973 album that resonates remarkably forty-four years later. On such songs as the righteous chant ‘Woman Power’, the empathetic ballad ‘Angry Young Woman’, the ...
Listen to Feeling the Space by Yoko Ono on Apple Music. 1973. 19 Songs. Duration: 1 hour, 14 minutes. ... More By Yoko Ono . Double Fantasy (2010 Remaster) 1980. Double Fantasy: Stripped Down. 2010. Milk and Honey. 1984. Some Time in New York City. 1972. Unfinished Music No. 2: Life With the Lions.
22 de jun. de 2018 · Yoko Ono’s 1973 album Feeling the Space tends to be relegated to the dustbin of history. But why? This is one of her most “mainstream” pop/rock recordings, relying on a lot of fairly conventional rock-ish genre devices. There is even a faint hint of the ironic/unironic use of kitsch that propelled the Brazilian tropicalistas starting in ...
