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  1. en.wikipedia.org › wiki › Sound_holeSound hole - Wikipedia

    A sound hole is an opening in the body of a stringed musical instrument, usually the upper sound board. Sound holes have different shapes: Round in flat-top guitars and traditional bowl-back mandolins; F-holes in instruments from the violin family, archtop mandolins and in archtop guitars;

  2. While it’s true fholes date from the Renais­sance, they are much more than orna­men­tal; their design—whether arrived at by acci­dent or by con­scious intent—has had remark­able stay­ing pow­er for very good rea­son. As acousti­cian Nicholas Makris and his col­leagues at MIT recent­ly announced in a study pub­lished by the ...

  3. El misterio detrás del f-hole del violín y su evolución a lo largo de los siglos ¿cuál es su propósito y por qué sigue siendo relevante en la música actual?

  4. 4 de ago. de 2022 · Table of Contents. What is an F-Hole? An f-hole is a hole in the guitar or instrument that is cut out to produce a different sound or tone when played. It can be found in many different instruments and in both acoustic and electric guitars. It shouldn’t be confused with the “sound hole” that is the round opening behind the strings of the guitar.

  5. What is an f-hole? The f-holes on the violin are two long, curved openings located on the top plate of the violin surrounding the bridge. The f holes serve a few important purposes: they allow sound to escape, create vibrations, and help give the violin its tone.

  6. ¿Qué son las F-holes? Las F-holes son dos aberturas en forma de F ubicadas en la parte superior del violín. Estas aberturas permiten que el sonido se escape del interior del instrumento, creando una resonancia y proyección óptimas. Las F-holes son una característica distintiva de la mayoría de los violines clásicos y forman parte ...

  7. That’s because on the Strad, the f-holes are like the eyes in a face: They match, but they’re not the same. On the French violin, though, they’re mirror images—more than a bit spooky, like a Diane Arbus photo of twins. It’s a matter of looking: how the maker sees the instrument, at its most basic.