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  1. Endless Boogie is a studio album by American blues musician John Lee Hooker, released in 1971 through ABC Records. Produced by Bill Szymczyk and Ed Michel, the double album was recorded at Wally Heider Recording with session musicians such as Jesse Ed Davis , Carl Radle , Steve Miller , Gino Skaggs and Mark Naftalin .

  2. Jesse Edwin Davis III (September 21, 1944 – June 22, 1988) was an American guitarist. He was well regarded as a session artist and solo performer, was a member of Taj Mahal's backing band and played with musicians such as Eric Clapton, John Lennon, and George Harrison. In 2018, he was posthumously inducted into the Native American Music Hall of Fame at the 18th Annual Native American Music ...

  3. JESSE DAVIS, guitar CARL RADLE, Fender bass JIM GORDON, drums Recorded November 10. ... ENDLESS BOOGIE, Parts 27 and 28 (8:46) JOHN LEE HOOKER, guitar and vocal MARK NAFTALIN, piano ... PRODUCED BY BILL SZYMCZYK and ED MICHEL for Z Mfg. Co. Engineering by Bill Szymczyk, ...

  4. A full-blooded Kiowa Indian, Jesse Ed Davis was perhaps the most versatile session guitarist of the late '60s and early '70s. Whether it was blues, ... Endless Boogie. Released: 1971 . Happy Just to Be Like I Am. Released: 1971 . Lovejoy. Released: 1971 . L.A. Midnight. Released: 1972 . Jackson Browne.

  5. Endless Boogie is a studio album by American blues musician John Lee Hooker, released in 1971 through ABC Records. Produced by Bill Szymczyk and Ed Michel, the double album was recorded at...

  6. Endless Boogie - John Lee Hooker (1971) Lovejoy - Albert King (1971) White Light - Gene Clark (1971) The Concert for Bangladesh - George Harrison & Friends (1971) Ambush - Marc Benno (1972) Out the Window - Jim Pulte (1972) Salty - Alex Richman (1972) L.A. Midnight - B.B. King (1972) Jackson Browne - Jackson Browne (1972)

  7. Just turn it up as loud as you can stand it.’. So that’s what I did, and I found out that when you scream as loud as you can, you can really get off on it, just like playing a good guitar line or something.”. Asked about the music theory behind his playing, Davis responded, “I just play the notes that sound good.