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The band initially consisted of Richard Butler (vocals), Tim Butler (bass guitar), Duncan Kilburn (saxophone), Paul Wilson (drums), and Roger Morris (guitars). By 1979, this line-up had expanded to a sextet with Vince Ely replacing Wilson on drums and John Ashton joining as a second guitarist.
4 de ene. de 2024 · Duncan Kilburn remembers his years of living dangerously. By Mark Andrews. published 4 January 2024. At the end of last year, a guest saxophonist appeared with the Sisters of Mercy. He was Duncan Kilburn, formerly of the Psychedelic Furs, and a man with an interesting story to tell…
21 de sept. de 2020 · Roger Morris and Duncan Kilburn had gone home and there were four of us left. John Ashton and [Butler’s brother] Tim knocked Velvet Underground-type riffs around and suddenly there was the riff ...
6 de feb. de 2023 · In 2016, Tim spoke to the Memphis Flyer and revealed that during one jam session, the Furs' guitarist, Roger Morris, brought along his friend, Duncan Kilburn, who just so "happened to play saxophone." After some time playing with the band, the rest of the members decided they simply "liked the sound of it." As Tim revealed, "We didn't purposely include a saxophonist for effect.
10 de sept. de 2019 · Features. We Love You: The Psychedelic Furs And The Sisters Of Mercy. Mark Andrews , September 10th, 2019 10:31. A vital support slot, industry juice and a brilliant record: The Psychedelic Furs played a crucial role in the rise of The Sisters of Mercy. Mark Andrews talks to Duncan Kilburn, John Ashton, Les Mills and others.
The Psychedelic Furs is the debut studio album by the English rock band the Psychedelic Furs, released on 7 March 1980 by Columbia Records.It was reissued with bonus tracks in 2002 by Columbia/Legacy. In 2020, Rolling Stone included the band's debut studio album in their "80 Greatest albums of 1980" list, praising the musicians for sounding like "a grand art project".
4 de oct. de 2021 · Duncan Kilburn (on being asked why the band chose Steve Lillywhite as producer): "Les [Mills] knew him and at the time we were pretty much into it. I think he was right for our first album, but the problem was we needed a producer like the ones at the BBC that are able to put something out in eight hours, whereas Steve is very slow ...
