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30 de sept. de 2013 · Image courtesy of Dante Ferretti. Through February 9, 2014, at the Museum of Modern Art; moma.org. Explore News Art exhibitions set design museums museum of modern art new york city. Read More.
Dante Ferretti. Production Designer: Sweeney Todd: The Demon Barber of Fleet Street. Dante Ferretti was born on 26 February 1943 in Macerata, Marche, Italy. He is a production designer and set decorator, known for Sweeney Todd: The Demon Barber of Fleet Street (2007), Shutter Island (2010) and The Age of Innocence (1993).
22 de jun. de 2015 · He may have three Oscars, "but mistakes make things more real". 22/06/2015 - After spending eight months in Taiwan on the set of Silence by Martin Scorsese, the great production designer Dante Ferretti has just received the Italian Golden Globe for Life Achievement. 11 nominations, three Oscars. The CV of 72-year-old Dante Ferretti, who is ...
22 de oct. de 2013 · The Dante Ferretti exhibit at MoMA captures the changing art of movie-set design. By Karrie Jacobs. The Museum of Modern Art, New York Ferretti leads a MoMA curator on a tour of the set he designed for Martin Scorcese's Gangs of New York. My favorite image from the current Museum of Modern Art (MoMA) exhibition, "Dante Ferretti: Design and ...
17 de mar. de 2015 · As a child growing up in Macerata, Italy, Dante Ferretti — the renowned production designer who won Oscars for Hugo, Sweeney Todd: The Demon Barber of Fleet Street and The Aviator — first saw ...
19 de nov. de 2012 · L egendary production designer Dante Ferretti is known to moviegoers everywhere for the elaborate and period-precise but fanciful worlds he has created for such films as Terry Gilliam’s The Adventures of Baron Munchausen, Neil Jordan’s Interview with the Vampire, and Martin Scorsese’s Hugo (for which he won an Oscar this year). Among his first projects as art director were the films in ...
25 de sept. de 2013 · Film series. Sep 25, 2013–Feb 9, 2014. Constructing “a working space for narrative” is how production designer Ferretti describes his role in the collaborative process of filmmaking. A key characteristic of his approach, especially in his fruitful associations with Pier Paolo Pasolini, Federico Fellini, and Martin Scorsese, is his practice of conceiving, for each project, a single set ...
