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Hace 1 día · Inferno (Italian: [iɱˈfɛrno]; Italian for "Hell") is the first part of Italian writer Dante Alighieri's 14th-century narrative poem The Divine Comedy.It is followed by Purgatorio and Paradiso.The Inferno describes the journey of a fictionalised version of Dante himself through Hell, guided by the ancient Roman poet Virgil.In the poem, Hell is depicted as nine concentric circles of torment ...
Hace 1 día · It's rare these days that literary works from history are presented without the intrusion of contemporary attitudes, politics, and ideologies -- but PBS' Dante: Inferno to Paradise is a welcome exception. Directed by Ric Burns (brother of documentarian Ken), Dante: Inferno to Paradise mixes documentary interviews and dramatizations to create a portrait of medieval Florentine poet and ...
Hace 5 días · Ric Burns’s splendid two-part PBS documentary, “Dante: Inferno to Paradise,” has brought Dante’s achievement beyond the groves of academe and into America’s living rooms.
Hace 1 día · Hola! Soy Monky un humilde chico de 20 años que está volviendo a subir contenido en su viejo canal, te dejo el enlace de mi twitch hago directos los viernes ...
Dante includes a ton of references to Greek mythology. Gods, monsters, heroes, events all either show up or get name dropped. This is all noncanon to Christianity though, Dante is world building. One of the first authors to do so.
Hace 3 días · The poem is a meditation on justice and human nature as well as a religious metaphor of the consequences of sin. Here, we explore the many levels of Dante’s Hell, looking at its organization, meaning, and continuing significance. Nine concentric circles, each designated for a distinct category of sinners, are used to represent Dante’s Hell.
Hace 2 días · Sigfried Giedion publicó en 1947 su ensayo La mecanización toma el mando.El futuro de una nueva tradición, un estudio mediante el que explicó cómo se había producido la división existente, en nuestra época, entre pensamiento y sentimiento a causa de la mecanización de la vida.Lo hizo con la misma clarividencia que pocos años antes había aplicado a Espacio, tiempo y arquitectura ...
