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  1. "An oasis for Canterbury fans in the midst of the otherwise barren 1980s, Phil Miller's Cutting Both Ways features a veritable who's who of Canterbury.Balancing the album between modern-sounding releases with up-to-date synthesisers in the company of Dave Stewart and Barbara Gaskin and more traditional jazzy Canterbury fare with the help of ...

  2. 12K subscribers. Subscribed. 44. 5K views 10 years ago. "Second Sight" by Phil Miller from the album 'Cutting Both Ways', released by Cuneiform Records. Easily purchase your own copy of...

  3. A finales de los 80 Phil Miller crea su banda, In Cahoots, con sospechosos habituales tales como Elton Dean (saxos), Pete Lemer (teclados), Pip Pyle (batería) y Hugh Hopper (bajo). La crema de Canterbury bien condensada. "Cutting Both Ways" reunía dos aspectos diferenciados.

  4. Cutting Both Ways is a music studio album recording by PHIL MILLER (Canterbury Scene/Progressive Rock) released in 1987 on cd, lp / vinyl and/or cassette. This page includes Cutting Both Ways's : cover picture, songs / tracks list, members/musicians and line-up, different releases details, free MP3 download (stream), buy online links: amazon ...

  5. Cutting Both Ways. “ This album comprises two aspects of my compositional output. The first is represented by the four pieces recorded by my band IN CAHOOTS and the second by the two pieces recorded in collaboration with Dave Stewart . IN CAHOOTS has toured Europe extensively in the past two years.

  6. In February 1985, Richard Sinclair was replaced by Hugh Hopper and the resulting line-up recorded most of the tracks of 'Cutting Both Ways' (1987) released as a solo record, followed by a tour of Europe. Fred Baker replaced Hopper and the band recorded Miller's second album, 'Split Seconds'. In 1991 Miller' recorded his first solo albu... read more

  7. 19 de ago. de 2020 · "Cutting Both Ways" (1987) is technically his band In Cahoots, though they do not use this moniker anywhere on the cd. This is a great look back at the classic 1970's Canterbury school of prog, with a much more mature and jazzier feel to it.