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Además de sus grabaciones como director de banda para ABC Paramount y Prestige, como acompañante aparece en el Cuban Fire de Stan Kenton, las grabaciones de Charlie Parker para Dial Records, 2 el Walkin' de Miles Davis y los álbumes de Milt Jackson para Savoy Records .
Soloists are abundant on the original recording of the Cuban Fire! suite; the most interesting of them being the tenor saxophonist Lucky Thompson. The Thompson tenor solos on the second half of "Fuego Cubano" and the up tempo "Quien Sabe" are a new addition and contrast to the normal style and harmonic/melodic practices of known ...
Eli "Lucky" Thompson (June 16, 1924 – July 30, 2005) was an American jazz tenor and soprano saxophonist whose playing combined elements of swing and bebop. Although John Coltrane usually receives the most credit for bringing the soprano saxophone out of obsolescence in the early 1960s, Thompson (along with Steve Lacy ) embraced the instrument earlier than Coltrane.
6 de sept. de 2017 · Thompson recorded with Charlie Parker in 1946 and '49, Johnnie Ray in 1951, Thelonious Monk in 1952, King Pleasure in 1954 and Oscar Pettiford in 1956 before leaving for Paris. During a return visit to the States that year, he recorded again with Pettiford and on Stan Kenton's Cuban Fire.
Cuban Fire! LABEL Capitol. NO. T 731. FORMAT 12” Record. PRODUCER Dave Cavanaugh. LINER NOTES Bill Coss. LOCATION Riverside Plaza Hotel, New York City. RECORDING DATES 22-24 May 1956. —TV. Liner notes. Tracks. 1. Fuego Cubano. solos: Larsen (tb)/Noto (tp) Thompson (ts) Fontana (tb) 2. El Congo Valiente (The Valiant Congo)
Además de sus grabaciones como director de banda para ABC Paramount y Prestige, como acompañante aparece en el Cuban Fire de Stan Kenton, las grabaciones de Charlie Parker para Dial Records, el Walkin' de Miles Davis y los álbumes de Milt Jackson para Savoy Records.
14 de ago. de 2005 · Aug. 14, 2005. Lucky Thompson. The saxophonist Lucky Thompson, who died on July 30 at the age of 81, was great enough not to be understood quickly; he never quite slotted into the current...
