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Carol Kaye es una educadora musical, bajista y guitarrista de sesión estadounidense. Estuvo presente en sesiones históricas como " La Bamba " de Ritchie Valens , River Deep – Mountain High producida por Phil Spector con la técnica del muro de sonido ( wall of sound ) para Ike & Tina Turner, "God Only Knows" y " Good Vibrations " de The ...
28 de feb. de 2012 · The Hidden History of a Rock ’n’ Roll Hitmaker. Bassist Carol Kaye blazed her own trail, as the only female studio musician to record some of the greatest songs of the ’60s and ’70s. Kent...
25 de jul. de 2023 · How many people can go home and say, ‘Yeah, I played with Frank Sinatra today’ or ‘We cut a cool track for The Beach Boys this afternoon’? Not many, I imagine.” Here, Carol Kaye lists what she considers to be 10 of her greatest recordings, all of them big-time winners.
Come On, Let's Go / Framed, a Single by Ritchie Valens. Released 1 September 1958 on Del-Fi (catalog no. 4106; Vinyl 7"). Genres: Rock & Roll. Featured peformers: Ritchie Valens (vocals, guitar), René Hall (guitar), Irving Ashby (guitar), Carol Kaye (guitar), Buddy Clark (bass), Earl Palmer (drums), Bob Keene (producer).
Carol Kaye (née Smith; born March 24, 1935) is an American musician. She is one of the most prolific recorded bass guitarists in rock and pop music, playing on an estimated 10,000 recordings in a career spanning over 65 years.
The musicians included René Hall, Carol Kaye, and Earl Palmer. The first songs recorded at Gold Star Studios, at a single studio session one afternoon in July 1958, were “Come On, Let’s Go”, an original (credited to Valens/Kuhn, Keane’s real name), and “Framed”, a Leiber and Stoller tune.
Forever we can always be together. Come on, come on, let's go again. Oh, well, I love you, babe. And I'll never let you go. Come on, baby, so, oh, pretty baby, I love you so. Well, come on, let's go, let's go, little darlin'. Tell me that you'll never leave me. Come on, come on, let's go again. Again, again, and again.
