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  1. About Bringing Out the Dead. Perhaps only someone who has worked for almost a decade as a medic in New York City’s Hell’s Kitchen–as Joe Connelly has–could write a novel as riveting and fiercely authentic as Bringing Out the Dead. Like a front-line reporter, Connelly writes from deep within the experience, and the result is a debut novel of extraordinary power and intensity.

  2. Bringing Out the Dead teve recepção geralmente favorável por parte da crítica especializada. Em base de 34 avaliações profissionais, alcançou uma pontuação de 70% no Metacritic. Por votos dos usuários do site, atinge uma nota de 7.4, usada para avaliar a recepção do público. [2]

  3. Vidas al límite es una película dirigida por Martin Scorsese con Nicolas Cage, Patricia Arquette, John Goodman, Ving Rhames .... Año: 1999. Título original: Bringing Out the Dead. Sinopsis: Frank Pierce (Nicolas Cage), un empleado del servicio nocturno de ambulancias de Nueva York, está quemado por el estrés, la soledad y la dureza de su trabajo, pues se pasa las noches recogiendo todo ...

  4. Synopsis. Nicolas Cage plays EMS paramedic Frank Pierce. It is the early 1990's and New York has not yet undergone its renaissance of recent years. Surrounded by the injured and the dying, Frank is dwelling in an urban night-world, crumbling under the accumulated weight of too many years of saving and losing lives.

  5. BRINGING OUT THE DEAD. Directed by. Martin Scorsese. United States, 1999. Thriller. 121. Synopsis. An EMS paramedic Frank in the urban slums of Gotham City, is haunted by his injured and dying patients. Over the course of two days and three nights, his world reaches the very brink of spiritual collapse.

  6. 22 de oct. de 1999 · 穿梭阴阳界Bringing Out the Dead(1999) 压箱底的一个片子 直到昨晚才拿出来看 两个小时的影片阴沉昏暗罪恶丛生 唯独医院墙壁的复古旧绿色彩和最后1小时30分左右超现实手法喷发的流星烟花才给出一点生机 不停穿梭的救护车伴随着警笛声和流血、罪恶、贫穷、肮脏贯穿整个影片 ...

  7. 1 de ene. de 2001 · Bringing Out the Dead is a non-stop ride through the darkness and horror of being a night-shift paramedic in 1990s New York. Much like the job itself, this story rarely lets up the pressure, only occasionally stopping for a coffee before roaring off at suicidal speed to the next shooting, the next stabbing, the next asthmatic dying on Manhattan dancefloor.