Yahoo Search Búsqueda en la Web

Resultado de búsqueda

  1. 21 de abr. de 2024 · Earl Hooker : Yeah Yeah : Chicago Blues from C.J. Records Vol. 2: Earl Hooker : Swear To Tell the Truth : Earl Hooker And His Blues Guitar: Earl Hooker : That Man : ... Smokey Smothers : Hello Little School Girl : Blow By Blow : Lattie Murrell : Good Morning Little Schoolgirl : On The Road Again:

  2. 14 de abr. de 2024 · OKeh Chicago Blues: Margie Day with the Griffin Brothers : Little Red Rooster : R&B In DC 1940-1960: ... Smokey Smothers : Hello Little School Girl : Blow By Blow : ... As for who Patton learned from, it’s been suggested he make have picked up a good deal from Earl Harris and Henry Sloan. Sloan was born in January 1870, ...

  3. 22 de abr. de 2024 · For the encore, Foley welcomed Specter to the stage to exchange licks on the Earl Hooker tune “Blue Guitar.” The two then jammed with the night’s opening act, Nikki O’Neil, playing “You Belong to Me” by Chicago’s own Magic Sam. It was not only a climatic end to the evening, but further proof that the blues remain alive in Chicago.

  4. Hace 3 días · Chicago blues: Little Hatch: 1921 2003 Mississippi Electric blues: Johnny Heartsman: 1936 1996 ... Piedmont blues: Earl Hooker: 1930 1970 Mississippi Chicago blues: John Lee Hooker: 1917* 2001 ... Acoustic blues: Little Smokey Smothers: 1939 2010 Mississippi Chicago blues: Otis "Big Smokey" Smothers: 1929

  5. 19 de abr. de 2024 · The concert is at the Steeplegate Inn, 100 W. 76th St., Davenport, where they had great success with Reverend Raven and the Chain Smoking Altar Boys last spring. “We had a great turnout last ...

  6. 19 de abr. de 2024 · John Lee Hooker (born August 22, 1917, Clarksdale, Mississippi, U.S.—died June 21, 2001, Los Altos, California) was an American blues singer-guitarist, one of the most distinctive artists in the electric blues idiom. Born into a Mississippi sharecropping family, Hooker learned to play the guitar from his stepfather and developed an interest ...

  7. 5 de abr. de 2024 · Little Walter’s harmonica playing style was groundbreaking and influenced many blues musicians that followed him. He used amplification and distortion to produce a sound that was both unique and intense. His style became known as the Chicago blues harmonica style and combined elements of R&B and rock and roll. 2.