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Blues at Daybreak, Big Jay McNeely & Christian Rannenberg (1993) [21] Fool for the Ladies, by EB Davis with Detroit Gary Wiggins & Big Jay McNeely (1996) [22] Crazy, (1997, Saxophile) – same as Nervous above. Central Avenue Confidential, (1999, Atomic Theory) – featuring Red Young on B-3 organ.
Cecil James McNeely (Los Ángeles, California; 29 de abril de 1927-16 de septiembre de 2018), [1] más conocido como Big Jay McNeely, [2] fue un saxofonista tenor de rock and roll, también conocido como el Rey del Honkin' Tenor Sax —honk viene a significar bocina o bocinazo—.
In his book “Blues People: Negro Music in White America” (1963), he wrote that he heard Mr. McNeely’s blaring riffs as a “black scream,” an expression of individuality and protest in the ...
17 de sept. de 2018 · Sept. 17, 2018 5:05 PM PT. Cecil “Big Jay” McNeely, whose honking tenor saxophone helped define Los Angeles rhythm and blues and set the stage for the rock ’n’ roll explosion of the...
While less acrobatic now that he’s in his eighties, McNeely has still maintained his instrumental prowess and his talent for exciting a crowd. Born on April 29, 1927, in Watts, when the neighborhood had yet to be incorporated into the city of Los Angeles, Cecil James McNeely played jazz and classical music in high school.
17 de sept. de 2018 · His voice continues to be heard through repeat broadcasts of Portraits in Blue, his flagship blues program; Saturday Morning Function, a mix of classic soul and rhythm and blues; and Swing Party, featuring music from the swing era.
17 de sept. de 2018 · – The McNeely Family. Born Cecil James McNeely on April 29th, 1927 in Watts, California, was a master of the tenor saxophone. His specialties lied in the genres of jump blues, jazz blues and R&B. Known as a “honker,” McNeely was the most flamboyant of his peers. His raucous stage antics and mesmerizing playing style were the ...
