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Black Is...Black Ain't is an exploration and comprehensive commentary of the Black experience in America. Riggs establishes that there is no singular definition of what it means "to be Black." The very form and content illustrate Blackness in its multiplicities. The film presents a plethora of black identities disallowing for ...
Told from Riggs’ hospital bed as he dies to AIDS, the film acts as a eulogy for an artist who believes in Black futures enough to believe we can move beyond the narrow definitons that patriarchy, sexism, and homophobia offer our culture. Director: Marlon Riggs Year: 1994 Genre: Documentary Type: Feature
Punctuated by footage of a dying Riggs directing his crew and delivering parting wisdom from his hospital bed, Black Is . . . Black Ain’t breaks down the divides of class, colorism, patriarchy, and homophobia as it issues a stirring appeal for unity.
Black Ain't: Directed by Marlon Riggs. With Angela Davis, Essex Hemphill, bell hooks, Bill T. Jones. A film about black experiences with a "backdrop of Creole cooking."
¿Existe una identidad negra esencial? ¿Existe una prueba de fuego que defina al verdadero hombre negro y la verdadera mujer negra?. La última película del cineasta Marlon Riggs, Black Is ... Black Ain't, salta al centro de debates explosivos sobre su identidad.
Riggs' own urgent quest for self-definition and community, as a black gay man dying from AIDS, ties the multiple perspectives together. Hooked up to an IV in his hospital bed, Riggs takes strength for his struggle against AIDS from the continual resilience of the African Americans in the face of overwhelming oppression.
Overview. African-American documentary filmmaker Marlon Riggs was working on this final film as he died from AIDS-related complications in 1994; he addresses the camera from his hospital bed in several scenes. The film directly addresses sexism and homophobia within the black community, with snippets of misogynistic and anti-gay slurs from ...
