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No mesmo ano, Ashlee lança o álbum "Bittersweet World" Bittersweet World (2008) Ashlee Simpson em Nova York. O terceiro álbum de Ashlee, "Bittersweet World", foi até agora o mais elogiado álbum de sua carreira, sendo até chamado por alguns críticos como "o melhor trabalho feito por uma irmã Simpson até hoje.".
19 de may. de 2008 · Tracks 12 to 14 are Bonus Tracks 'Bittersweet World' is the third album from Ashlee Simpson. Roping in super producers such as Timbaland and Chad Hugo (NERD) amongst others, this marks Simpson's slight departure from the pop-rock sound of her previous two albums to more of a pop dance sound not too dissimilar to artists such as Gwen Stefani and Kylie Minogue.
19 de abr. de 2008 · Bittersweet World is the third studio album by American recording artist Ashlee Simpson. It was first released in Australia on April 19, 2008, with a release soon after in the United States on ...
23 de abr. de 2008 · Recorded By – Chris Godbey, Jun Ishizeki. Written-By – Ashlee Simpson, Jerome Harmon, Jim Beanz, King Logan. Arranged By – Jerome "Jroc" Harmon *. Backing Vocals – Ashlee Simpson, Jim Beanz. Drum Programming – King Soloman *. Editor [Protools] – Ron Taylor. Engineer [Assistance] – Anthony Caruso (2), Nate Hertweck.
Ashlee Ross-Næss (née Simpson; born October 3, 1984), known professionally as Ashlee Simpson, is an American singer, songwriter, actress and television personality. The younger sister ... Bittersweet World, Simpson's third studio album, was released on April 19, 2008.
29 de abr. de 2018 · referencing Bittersweet World (CD, Album, Super Jewelcase) 1767879 I love this album and it's my personal favorite out of the three in Ashlee's discography, but my god the booklet is awful. Anyway, would love to have this on vinyl one day.
Recorded By – Chris Godbey, Jun Ishizeki. Written-By – Ashlee Simpson, Jerome Harmon, Kenna, King Logan, Santi White. Arranged By, Keyboards, Programmed By – Jerome "Jroc" Harmon *, King Soloman *. Backing Vocals – Ashlee Simpson, Jim Beanz. Bass Guitar – Joey Kamani.
