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  1. 12 de mar. de 2014 · 12 Photos. Photo: Bill Cunningham. In 1968, Bill Cunningham embarked on an ambitious eight-year project: He collected over 500 vintage outfits and photographed them on models in more than 1,800 historic New York City locations. This Friday, the resulting series — entitled Facades — will go on view at the New-York Historical Society.

  2. Follows New York Times photographer Bill Cunningham on his assignments for the Styles section of The Times and chronicles his life and work over eight decades.

  3. 20 de mar. de 2010 · Given his four-decade-plus career as a New York City chronicler of both everyday and high fashion, Bill Cunningham is astutely defined by Bill Cunningham New York as not simply a traditional photographer of clothing, but an anthropological historian. Richard Press’s documentary follows the famously reclusive 80-year-old shutterbug as he carries out his twin duties for The New York Times: his ...

  4. 26 de jun. de 2016 · Bill Cunningham was a fashion photographer, a street style tastemaker, an anthropologist, and a diarist. More importantly, he was a sort of modern bodhisattva, able to usher us into magic, compassion, and sweet surrender with the click of his camera. In all, he was the quintessential American photographer of modern life, and New York and the ...

  5. 12 de dic. de 2023 · I n 2016, legendary New York street photographer Bill Cunningham died, aged 87.The fashion industry, and everyone who was lucky enough to be photographed by him, collectively remembered how he ...

  6. The Bill in question is 80+ New York Times photographer Bill Cunningham. For decades, this Schwinn-riding cultural anthropologist has been obsessively and inventively chronicling fashion trends and high society charity soirées for the Times Style section in his columns "On the Street and Evening Hours. Documenting uptown fixtures Anna Wintour, Tom Wolfe, Brooke Astor, David Rockefeller who ...

  7. 23 de mar. de 2010 · So the miracle of “Bill Cunningham New York,” a new 88-minute documentary about the photographer of “On the Street” and “Evening Hours,” is that its subject agreed to participate in the first place.The film, which is to open the New Directors/New Films series on Wednesday at the Museum of Modern Art, took 10 years to make.