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  1. Hace 5 días · Big Mama Thornton - Hound Dog (1953)Big Mama Thornton's 1953 hit "Hound Dog," written by Jerry Leiber and Mike Stoller, is a standout in the 1950s music scen...

  2. Hace 7 horas · Era la gran oportunidad de Janis y no la desperdició: Cantó una versión de “Ball and chain”, el emblemático himno blues de Big Mama Thornton que encandiló al público presente. Tan impactante fue su actuación que poco después fueron contratados por el productor de Bob Dylan y su carrera echó definitivamente a andar.

  3. Hace 3 días · Artist: Big Mama Thornton Album: Hound Dog – The Peacock Recordings Genre: Jump Blues, Rhythm & Blues Label: MCA Records Year Of Release: 1992 Format: APE (image+.cue) Tracklist: Hound Dog My Man Called Me I Smell A Rat They Call Me Big Mama You Don’t Move Me No More Let Your Tears Fall Baby Rock-A-Bye Baby Yes, Baby How Come Nightmare Stop A-Hoppin’ On Me Just Like A Dog Walking Blues ...

  4. Hace 2 días · Big Mama Thornton recorded “Hound Dog” in 1952, and she sings with fury about a bad man she’s throwing out. Though dogs are mostly beloved, they are often used as derogatory metaphors.

  5. Hace 3 días · Willie Mae “Big Mama” Thornton recorded “Hound Dog” on August 13, 1952. She was riding the wave of a nationally touring R&B review that launched with her at the bottom of the bill and concluded with her as the headliner. When asked, Leiber and Stoller jumped at the chance to come up with a tune befitting her gregarious persona.

  6. Hace 1 día · Adding to the 2024 honors, the Musical Influence Award was bestowed upon Alexis Korner, John Mayall, and Big Mama Thornton, recognizing their profound impact on shaping musical genres. Meanwhile, the late Jimmy Buffett, MC5, Dionne Warwick, and Norman Whitfield were honored with the Musical Excellence Award, acknowledging their lasting contributions to the industry.

  7. Hace 2 días · Willie Mae “Big Mama” Thornton recorded “Hound Dog” on August 13, 1952. She was riding the wave of a nationally touring R&B review that launched with her at the bottom of the bill and concluded with her as the headliner. When asked, Leiber & Stoller jumped at the chance to come up with a tune befitting her gregarious persona.