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  1. Zeena Parkins (born 1956) is an American composer and multi-instrumentalist active in experimental, free improvised, contemporary classical, and avant-jazz music; she is known for having "reinvented the harp".

  2. Zeena Parkins (Detroit, Míchigan, 1956) es una arpista activa en la música rock, improvisación libre y jazz contemporáneo. Parkins toca varios tipos de arpa - entre ellas el arpa eléctrica -, y también toca el piano, la celesta y el acordeón. Se instaló en Nueva York en 1984.

  3. 2019, 40 min. Jeff Kolar — co-composition. ILand, Jennifer Monson as bend the even — commission. Observation, embodied transferences, telepathy; Nature felt as both utopic and disruptive. Employing swipes, knocks, plucks, resonators and hypnotic tessellations, in conversation with radio waves, static, homemade synths and feedback.

  4. Skeleton Crew. Zeena Parkins — electric harp, organ, accordion, voice, drums. Fred Frith — electric guitar and bass, violin, voice, drums. Tom Cora — cello, electric bass, concertina, voice, drums. Back to Bands List. Green Dome Glass Triangle MZM Phantom Orchard Phantom Orchard Orchestra Adorables Psycho~Acoustic Sawsunhere Gangster...

  5. www.ilandart.org › principal-collaborator › zeena-parkinsZeena Parkins

    In bend the even this requires the viewer to relinquish what might be tangible about the experience in preparation for what is newly emerging. Selected Press. Jennifer Monson’s iLAND premieres “bend the even” – Eva Yaa Asantewaa for Infinite Body. From the Prairie to the City, Dancing to Invoke the Dawn – Gia Kourlas for The New York ...

  6. Zeena Parkins, Frederic Rzewski, James Tenney — New World Records, cd, 2013. Double Dupe Down — Tzadik, cd, 2012. Between the Whiles — Table of the Elements, cd, 2010. Necklace — Tzadik, cd, 2006. Devotion — Table of the Elements, lp, 2004. Nightmare Alley — Table of the Elements, cd in wooden box anniversary edition, 2003.

  7. New York based electro-acoustic composer / improviser Zeena Parkins is a pioneer of contemporary harp practices. Using expanded techniques, object preparations, and electronic processing she has re-defined the instrument’s capacities.