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  1. Hace 5 días · Composer: Robert Fuchs. Violin Sonata No. 4 in E Major, Op. 77. Violin Sonata No. 5 in A Major, Op. 95. Violin Sonata No. 6 in G Minor, Op. 103. Hyejin Chung, violin. Warren Lee, piano. Date: 2024. Label: Naxos. https://www.naxos.com/CatalogueDetail/?id=8.574547.

  2. Hace 4 días · Ludwig van Beethoven: Violin Concerto in D Major. Excerpt from Violin Concerto in D Major, Opus 61, by Ludwig van Beethoven, with a pianist playing the orchestra's part. (more) Ludwig van Beethoven (baptized December 17, 1770, Bonn, archbishopric of Cologne [Germany]—died March 26, 1827, Vienna, Austria) was a German composer, the predominant ...

  3. Hace 1 día · Middle-period works include six symphonies (Nos. 3–8), the last two piano concertos, the Triple Concerto and violin concerto, five string quartets (Nos. 7–11), several piano sonatas (including the Waldstein and Appassionata sonatas), the Kreutzer violin sonata and his only opera, Fidelio.

  4. Hace 5 días · Boyan Vodenitcharov Ryo Terakado artist - Ludwig Van Beethoven: Violin Sonatas, No. 1 - No. 3 - No. 5 Spring MP3 music MP3 album at CD Universe, enjoy top rated service and worldwide shipping.

  5. Hace 3 días · G Op 40 - James Ehnes (violin), Royal Liverpool Philharmonic Orchestra/Andrew Manze (Onyx ... Rachmaninov, Sergei: Symphonic Dances, Op.45 - III. Lento assai - Allegro vivace - London SO/André Previn (EMI CMS 7645302) ... 5 57052) Beethoven, Ludwig van: Violin Sonata No 3 in Eb Op 12/3 - Bella Hristova (vln),

  6. Hace 19 horas · 18 Keyboard sonatas. 19 Keyboard pieces. 20 Keyboard for 4 hands. 21 Keyboard concertos. ... 6 German Dances 1787 or before orchestra IX:9a 6 Minuets c. 1787 keyboard lost IX:9b ... Piano Trio No. 5 G minor 1766 or before violin, cello, keyboard XV:2 Piano Trio No. 17 F major c. 1769

  7. en.wikipedia.org › wiki › Anton_WebernAnton Webern - Wikipedia

    Hace 1 día · Anton Webern (German: [ˈantoːn ˈveːbɐn] ⓘ; 3 December 1883 – 15 September 1945) was an Austrian composer, conductor, and musicologist.His music was among the most radical of its milieu in its concision and use of then novel atonal and twelve-tone techniques in an increasingly rigorous manner, somewhat after the Franco-Flemish School of his studies under Guido Adler.