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  1. Jean-Michel Basquiat (French: [ʒɑ̃ miʃɛl baskija]; December 22, 1960 – August 12, 1988) was an American artist. Basquiat first achieved fame as part of SAMO, an informal graffiti duo who wrote enigmatic epigrams in the cultural hotbed of the Lower East Side of Manhattan during the late 1970s where the hip hop, punk, and street art movements had coalesced.

  2. 20 de may. de 2017 · No tiene siquiera título, pero se ha convertido en la pintura más cara de un artista estadounidense, al alcanzar 110,5 millones de dólares en una subasta de Sotheby's. Su autor, Jean-Michel ...

  3. Basquiat's work is emblematic of the art world recognition of punk, graffiti, and counter-cultural practice that took place in the early 1980s. Understanding this context, and the interrelation of forms, movements, and scenes in the readjustment of the art world is essential to understanding the cultural environment in which Basquiat made work.

  4. The Archive. The archive documnets and curates publicly available artwork by Jean-Michel Basquiat. We find these artwork from verified sources including museums, exhibitions, and auction houses. We currently showcase 200+ artwork and will continue to add new ones over time. see all artwork.

  5. Jean-Michel Basquiat (1984) Jean-Michel Basquiat ([basˈkja] * 22. Dezember 1960 in New York City; † 12. August 1988 ebenda) war ein US-amerikanischer Künstler, Maler und Zeichner. Er war der erste afroamerikanische Künstler, der in der hauptsächlich weißen Kunstwelt den Durchbruch schaffte. Der gängigen Einordnung als Graffitikünstler widersprach Basquiat: „Ich bin kein Teil der ...

  6. Jean-Michel Basquiat (22. prosince 1960 New York – 12. srpna 1988) byl americký malíř s haitskými kořeny. Proslavil se nejdříve v New Yorku jako autor graffiti a později, v 80. letech, také jako neo-expresionista.

  7. This image was Basquiat’s affirmation of the mind’s central role in self-realization.12 This simple yet profound understanding of the role of the mind is the basis of all spiritual pursuit. In Basquiat’s case, the use of symbolic references of this kind was entirely intuitive and did not incorporate any particular religious doctrine.

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