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  1. 15 de oct. de 2018 · Still, Bad Times at the El Royale feels unhurried and smooth where Cabin in the Woods felt frantic and unruly, suggesting that Goddard's chutzpah is now almost equal to his confidence as a ...

  2. 7 de jun. de 2018 · The trailer for Bad Times at the El Royale finds Drew Goddard directing a movie for the first time since his debut on The Cabin in the Woods.Far from resting on his laurels, Goddard has written a blockbuster hit (The Martian), launched a Netflix series (Marvel's Daredevil), and worked on various other film scripts and TV shows (The Defenders, The Good Place) in the six years since his and Joss ...

  3. Bad Times at the El Royale ist ein US-amerikanischer Mystery-Thriller mit Elementen des Neo-Noir-Films aus dem Jahr 2018. Die Handlung dreht sich um sieben Personen, die in einer Nacht des Jahres 1969 im heruntergekommenen Hotel El Royale am Lake Tahoe zusammentreffen und deren dunkle Geheimnisse und Pläne im Laufe des Geschehens miteinander kollidieren.

  4. Sale temps à l'hôtel El Royale est un film réalisé par Drew Goddard avec Jeff Bridges, ... Titre original Bad Times at the El Royale Presse . 2,9 25 critiques. Spectateurs . 3,6 3335 notes, ...

  5. Bad Times at the El Royale is a 2018 neo-noir crime/mystery thriller written and directed by Drew Goddard.. Set late in The '60s, it follows seven strangers, each with their own agenda, who meet at the El Royale hotel located on the California-Nevada border. Among them are a priest (Jeff Bridges), a lounge singer (Cynthia Erivo), a vacuum-cleaner salesman (), two sisters (Dakota Johnson and ...

  6. 12 de oct. de 2018 · Johnson’s character takes an unconscious and bound-up woman out of her trunk and sits her in a chair in her room. And Father Daniel moves the furniture to one side of his room, rolls up the carpet, and starts pulling up the floorboards. “Bad Times at the El Royale” has a lot of plot. Almost enough to support its 140-minute running time.

  7. 11 de oct. de 2018 · Bad Times At The El Royale is a weird, wholly original and incredibly ambitious follow-up from Goddard, and one that feels gloriously out of place in Hollywood’s current climate.