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31 de oct. de 2017 · オノ・ヨーコYoko Ono 『無限の大宇宙Approximately Infinite Universe』（1973年1月） Side One1-1 ヤン・ヤンYang Yang 3:50 1-2 サマンサの死Death Of Samantha 6:22 1-3 ...
Approximately Infinite Universe, an Album by Yoko Ono. Released 8 January 1973 on Apple (catalog no. SVBB 3399; Vinyl LP). Genres: Pop Rock, Art Pop. Rated #254 in the best albums of 1973, and #9542 of all time album.. Featured peformers: Yoko Ono (vocals, arranger, producer, artwork, songwriter), John Lennon (guitar, backing vocals), John Lennon (producer, artwork), Elephant's Memory (guest ...
Approximately Infinite Universe (estilizado como APPROXIMATELY INFINITE UNIVERSE) es un álbum doble de Yoko Ono. Fue lanzado a principios de 1973. Representa un gran cambio del rock experimental de sus dos primeros álbumes hacia un rock pop más convencional el cual se enfocó hacia el rock feminista. Alcanzó la posición #193 en Estados Unidos.
The CD of APPROXIMATELY INFINITE UNIVERSE contains two bonus tracks. Personnel includes: Yoko Ono, Joel "John Lennon" Nojnn, Mick Jagger, Elephant's Memory. Includes liner notes by Yoko Ono.
31 de may. de 2017 · There's a fury at the core of Yoko Ono's 1973 rock opus Approximately Infinite Universe that was not apparent on previously recorded efforts. Ono has always been a master of turning pain and sadness into art, but here, there's a clenched-fist intensity that sets it apart in her deep, unparalleled catalogue.
In 1972 and 1973 Yoko Ono released two of her most successful albums, Approximately Infinite Universe and Feeling the Space. Both of these albums are focused on issues of women’s rights and the pain of living in a male-dominated world, and they contain some of Ono’s sharpest and most interesting songwriting as well as an attempt to create ...
Listen free to Yoko Ono – Approximately Infinite Universe (Yang Yang, Death Of Samantha and more). 23 tracks (). Approximately Infinite Universe is a double album by Yoko Ono, released in early 1973 on Apple Records. It represents a departure from the experimental avant garde rock of her first two albums towards a more conventional pop/rock sound, while also dabbling in feminist rock.
